Stacey Spears
Well-known member
- Joined
- Sep 15, 2007
- Messages
- 3,130
- Reaction score
- 2
- Points
- 38
- Age
- 56
- Location
- Sammamish, WA
- Website
- www.spearsandmunsil.com
The one question I have not seen asked yet, will there be a new t-shirt to buy? Would really like a hoodie! And after Weapon, would like to see BFG as the next sensor. 
Technology marches on. HDR is the next big thing in home and eventually theatrical. Its far more impressive than higher resolution. e.g. I would personally take 2k HDR over 4k SDR. Since they are not mutually exclusive, 4k HDR is the dogs tuxedo. The, if it ever ships, Vizio reference will be 4k HDR. (10-bit panel) Dolby Vision is 12-bit 4:2:2 and the PQ curve (SMPTE 2084) is long overdue to replace the exiting gamma curves.
Point is, would like more dynamic range. Dolby shot some impressive demo material using 2 x Alexa cameras in a 3D mirror rig for HDR. Gary Demos was demoing his wavelet codec at HPA. It was a floating point codec and easily handled 24-stops of dynamic range. He was using the new Sony 4k OLED to show off some HDR. Gary has demo clips from F65, Alexa, Nikon (time lapse) and RED. He blamed the softness of the RED, relative to others, on JP2000. I would say the OLPF played a role too. The Nikon was sans OLPF.
Would love to see 16-18 real stops (3-4 more than current Dragon) @ 8k in a FF35 sensor. That's my dream.
Christoffer Glans said:The thing here is that many are "forced" to upgrade to Dragon to be able to get something that we don't know a thing about. And yes we ARE forced because we are on a market where people demand the latest.
Technology marches on. HDR is the next big thing in home and eventually theatrical. Its far more impressive than higher resolution. e.g. I would personally take 2k HDR over 4k SDR. Since they are not mutually exclusive, 4k HDR is the dogs tuxedo. The, if it ever ships, Vizio reference will be 4k HDR. (10-bit panel) Dolby Vision is 12-bit 4:2:2 and the PQ curve (SMPTE 2084) is long overdue to replace the exiting gamma curves.
Point is, would like more dynamic range. Dolby shot some impressive demo material using 2 x Alexa cameras in a 3D mirror rig for HDR. Gary Demos was demoing his wavelet codec at HPA. It was a floating point codec and easily handled 24-stops of dynamic range. He was using the new Sony 4k OLED to show off some HDR. Gary has demo clips from F65, Alexa, Nikon (time lapse) and RED. He blamed the softness of the RED, relative to others, on JP2000. I would say the OLPF played a role too. The Nikon was sans OLPF.
Would love to see 16-18 real stops (3-4 more than current Dragon) @ 8k in a FF35 sensor. That's my dream.