Alex Zeder
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Apparently my brain cell was in the wrong thread when I mentioned the PortKeys as it works with the DSMC3 cameras, not DSMC2. Sorry for that.
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Regarding the EOL for DSMC2. I can only assume they keep enough inventory to secure warranty for cameras bought late in the cycle. Likely that's like 3 years from now or such. Then also some for ordernary repairs. But I doubt that 4 years from now that Red will service DSMC2. That assumption I can only make from looking at the Red one, Epic / Dsmc1 product cycle. DSMC2 was introduced 2015 and as I remember DSMC1 service was just available some years after that. Which in a way makes sense as it goes quite quick until it's actually less costly to buy a used replacement camera then sending it in for service.
As I see it DSMC2 firmware does not really have any bugs. Sure it freaks out some times and need a restart or such. But for the most part things tend to just work. Feature requests as more anamorphic modes etc... As I see it advanced mode should open up any resolution / squeeze factor possible, Sure its nice to have some defaults to choose from but why limit it to some standards. add a custom mode and let people punch in their own numbers. Might be a fiddle to program but I can't see why it could not be done and I think it would be fair if Red could set a price for such and then people could do a kickstarter or such to collect the funds.
Regarding the restriction to only red licensed media. Why not sell an update that does not have the red SSD lock? Everyone already knows that it was purely a financial decision to lock the minima's. And as there is so many minima's out there, and they are not really selling them any more, why not sell a firmware upgrade and let people replace the internal SSD´s in their mags to get more run time. Plenty of a low cost used mags out there and the replacement SSD´s cost very little now and a way bigger.
What I do not understand is that there is no 3rd party that has come up with a replacement high nits screen for the 7 inch touch. It's a simple low cost DVI touch screen in there. Likely there must be some screen manufacturer that could provide a replacement part that gives the screens a brighter image so we don't have to buy the quite pricy red screen. And yes. also odd that no screen manufacturer have tried to make a red DSMC2 compatible screen alltogether again it's, as I understand, running with a regular DVI touch protocol. Making such screen with pogo connection and a more durable swivel mount and high nits would likely still sell as hotcakes.
Regarding the sensor and OLPF differences between monstro and Raptor... I'm very happy with my monstro sensor, the sensor split issue that raptor has shown is possibly the main reason why I have not bought it yet and the improvements of glare etc between raptor and monstro looks quite negligible.
What happens to DSMC2 will be a very telling sign of how DSMC3 will be handled when DSMC4 comes out. Some of us don't want to upgrade just yet, speaking for myself I love my Gemini and Dragon sensor. The thing I'm most concerned about is that SSDs have a life-span, our Red Mini-Mags will fail. Perhaps someone would rather skip a generation and get into DSMC4, I understand CFast is not an option for DSMC2. But for the people that have been there since day one, for the people who have finally been able to invest in a RED as their first cinema camera, let be able to purchase our own storage media. I honestly do not believe this is a big ask, we are still representing the RED brand when we shoot and deliver.
You needn't look forward to DSMC4, just look back at R1 to DSMC1, then DSMC1 to DSMC2, then DSMC2 to DSMC2 Unified to see how quickly the preceding hardware went EOL. It's been the same every time, though the noise/commotion of the upgrade programs may have made it harder to notice (but now that those are gone). It's always been RED's MO (no need to follow through when you can hype the next product). [Sidenote: How comedic is this timing!]
As for mini-mags>opening up the media, because the cameras use plain old SATA protocol, using CFast/CFe/mSATA/NVE/etc might not even need a firmware, just an adapter that does the handshake. And it could be as inexpensive as $20, since that's what SATA-to-Whatever adapters are on PC. Alas, RED have no incentive to do it... Actually there are two big reasons not to bother: 1.) they don't get money from it, and 2.) it'll further postpone people from upgrading.
Which actually gets back to an earlier point - what is it that people actually want to use as recording media, specifically, precisely and exactly?
The question then is, what SSD's are actually available for people to buy themselves, and is it even possible for RED to change the camera firmware to allow the use of those newer SSD's without leaving the door open to people using anything and everything else they could put in there?
If it is possible for RED to make available the use of select newer SSD's, what's the actual selection process? I think it would be too much to ask RED to test and quality control each individual SSD like they've done with the ones in the RedMags they sell, but the other question is how far they could go in approving the new brands and capacities and models of SSD's without actually having to guarantee their suitability or reliability.
Agrre with everything that's been posted so far and feel equally distressed! I don't object to a camera or any tech having a 5 year lifecycle, but I upgraded to gemini just before the pandemic kicked off and then the camera sat on a shelf for three years whilst I paid the finance. Now work is gradually coming back online and my camera is obsolete! With £8k left on my finance, Im not going to be getting a raptor anytime soon. When I bought my dragon, a big incentive was the longevity of the product and that I could upgrade to gemini later (which I did). My initial investment was £15k with the possibility of growing. Now the option is only really to go full in £25k for a body then basically another £10k on new accessories and media. Seeing how the prices of reds crash, I am slightly reluctant to sink another £35k into a new camera.
Look at what kinefinity have done with their mavo 8k. You can either buy their kinemag (which looks like a longtake) for $1000 or buy the aluminium housing and add your own nvme m2 ssd for less than $100. Then they have built in e nd, easily swappable mounts, phantom powered xlrs, wifi streaming, a lightweight carbon fibre/aluminium body which includes a nifty v lock and BP battery plate. If you get the pro pack you get a nice oled, a 2200 nit screen, 2tb of media, 150w v lock, movcam cage and powered baseplate and its still less than half the price of a built raptor and even has a bigger sensor. The colour science looks good, the real downside is the dr is nowhere near red and the same for frame rates. But, the takeaway from them is that there's some real innovation going on there, red could easily mirror there take on media for dsmc2. The raptor sensor is very impressive but the reat of the body seems pretty meh.
7) Whats is going on with DSMC2 EVF? can we finally get the real controle of Brightness/Contrast/Chroma
This #7 alone made me drop all faith in RED.
Not to mention they end-of-lifed the Ranger line upon delivery. They announced it as a new product, but quickly shelved it as DSMC2.
Agrre with everything that's been posted so far and feel equally distressed! I don't object to a camera or any tech having a 5 year lifecycle, but I upgraded to gemini just before the pandemic kicked off and then the camera sat on a shelf for three years whilst I paid the finance. Now work is gradually coming back online and my camera is obsolete! With £8k left on my finance, Im not going to be getting a raptor anytime soon. When I bought my dragon, a big incentive was the longevity of the product and that I could upgrade to gemini later (which I did). My initial investment was £15k with the possibility of growing. Now the option is only really to go full in £25k for a body then basically another £10k on new accessories and media. Seeing how the prices of reds crash, I am slightly reluctant to sink another £35k into a new camera.
Look at what kinefinity have done with their mavo 8k. You can either buy their kinemag (which looks like a longtake) for $1000 or buy the aluminium housing and add your own nvme m2 ssd for less than $100. Then they have built in e nd, easily swappable mounts, phantom powered xlrs, wifi streaming, a lightweight carbon fibre/aluminium body which includes a nifty v lock and BP battery plate. If you get the pro pack you get a nice oled, a 2200 nit screen, 2tb of media, 150w v lock, movcam cage and powered baseplate and its still less than half the price of a built raptor and even has a bigger sensor. The colour science looks good, the real downside is the dr is nowhere near red and the same for frame rates. But, the takeaway from them is that there's some real innovation going on there, red could easily mirror there take on media for dsmc2. The raptor sensor is very impressive but the reat of the body seems pretty meh.
i have paid 4500$ for EVF that i cant adjust and that aside form having a good screen and optics is for fact bad EVF image. Saddest part about it is that startup "screen" on EVF looks susper nice blacks are black, color chart looks good and healthy and then when a color profile is loaded image looks like garbage. I have wrote so many times to red at different points and they told me "with a present hardware there are limitations to allow Brightness/Contrast/Chroma " Really!? how come you have healthy image displayed on the start up? Obviously there is adjustment so why not making one page in Manu that will allow us to adjust? Nop! Reds solution to the problem is that we run custom LUT when we want to have accurate EVF. this sucks big time and i dont know any camera system that has similar approach. for us that use EVF almost 100% of times on any camera this sucks. I am no expert but i think that Red could made this possible if they cared, but they dont