Corey Robson
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Network shows don't have a budget for a workstation capable of quickly editing R3D? I'm trying to understand the ProRes hype.
That is not the issue. Lots of workstation horsepower available to do the heavy lifting but even the fastest system adds time to your wrap when transcoding.
On board recording and rocket X on set not an option? I usually just convert via rocket X, but I know not every production will go for it though.
The main issue is that you have a 10 month season with many 14hr camera days (which don't include precalls and wrap overtime) often in remote locations. Our normal DIT wrap times are around 1hr simply to finish cloning media from 2 or more cameras and then load into the truck. Even if you were only adding 15 minutes daily at wrap to transcode r3d to Prores you still have a genny operator, first aid attendant, camera truck driver, shuttle driver to get you back to crew park, and a dailies driver at minimum still on the clock waiting for you to finish transcoding. We do use 2k gennys to help get the genny op off the clock early at times but this doesn't always make sense depending how far the truck is from set. Leaving the last few mags to include in the next days dailies is not an option either as nobody at the executive level wants to wait an extra day to see what was shot and I don't blame them. Bottom line is all this overtime is a significant cost over the course of a season.
I am aware syncing dailies and transcoding from r3d on set is easy. Done it many times over my 10 years as a DIT with my Red Rocket. (Big fan of Scratch.) It makes sense for shorter projects to do so. However small and mid-sized series needs are different than commercial, big TV series and feature needs. On Arrow we need 100% reliability with dailies (which is why we use a lab for dailies services - on set crew inevitably get ill at some point over 10 months) and dollars used for transcoding overtime are dollars I could have used to put more production value on screen. Producers are acutely aware of this so generally transcoding on set is not the preferred way to work. My apologies if I've sent this thread sideways.
To bring it back to the Mg upgrade, I'm super stoked to dig into Weapon in the new year and hopefully next season on Arrow.