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Hi all... so I'm freaking out and I think I'm screwed. Basically, I was in RedCine looking at clips after a shoot. I dragged them into the 'bin' to apply and overall look to them. I accidentally dragged in some duplicate clips so I wanted to delete them out of the bin so I highlighted those...

I was just wondering if I'm doing something wrong or if Avid just can't see the 3D LUT I have applied in RedCine X. I make my adjustments in RedCine X, everything looks great, actually perfect... then I link in Avid and everything but the LUT comes through. Aside from outputting new baked-in...

Hi all. I'm wondering if there's a way to just turn off 'Color Space' instead of having to select one. I found a round-about way of doing it in Avid but ideally, I'd love to just do it at the source and pre-grade JUST the Gamma Curve of "Redlog Film." When I add most LUTs, they come in too...

I've been doing some trial and error with an Avid to RCX test "online" to see if I can get my Avid sequence into RCX then use the source clips' 'one light' base color (since Avid refuses to see it until I export the RMD and apply it to each and every film, which wouldn't work since I have...

This is an offshoot of the other topic but I'm so frustrated with how Avid works with RED footage - it's never accurate and always "muddy." When I adjust my footage in RedCine, everything 'sticks', when I open and close it -- everything's there, all of the tweaks. However, when I link it...

Hi all. So, I DPed a feature and was put in charge of onlining it (for free, apparently, haha)... I was just doing that in Avid, using the edit sequence but long story short, various issues with how it was transcodes so they want to export out of RedCine. I honestly didn't know we could get...

Hi everyone. I shot a feature with two Epic Dragons and a Scarlet. I'm trying to mainly match the two Dragons. Our director was rapid fire where we didn't have any DIT time load in the same presents for the upcoming scenes so I figured, fine, I'll just load in the R3D file I create in RedCine...

For the life of me I can't figure this out. I spent a lot of time dialing in a look in RedCine (Build 39), saved the project, have the Edit-Preferences-Automatically Save RMD Files on... when I close out the project and re-open it, everything looks like it should. However, when I got into Avid...

Hello all. I'm doing a shoot coming up where we have two Epic Dragons and a Scarlet and we're going to be shooting with Nikon AiS lenses. The problem is that we only have two PL mounts and one Nikon mount. Would anyone in LA have a Nikon mount we could rent? The shoot is fully-insured and...

I just got back from set and am looking at this scene of two people in a car. It was at night, lit well, everything looked really nice on the monitor... looked fine in the RAW view, all the detail is there... then I get it into RedCine and it's GOD-AWFUL; totally noisy (I just black-shaded) and...

I'm at a loss on this one. I have MC 7.0.3 on my desktop and 7.0.2 on my laptop. I have a number of R3D folders which I link to, onto the hard drive, after I've transferred them. R3D folders, on the desktop, always used to link fine... how, now they won't, and I get the error; "Unable to...

The search on here hasn't worked for me well but I'm wondering if anyone has a compilation of different .RMD looks files that is floating around (via a thread?) or some of us might be able to buy? I'd love if RED had something like that, with various in-camera looks from features... I'd LOVE to...

I just bought the new 240gb SSD card and I'm a bit concerned. The best compression it'll let me do is 10:1, the rest are greyed out. When I put the other 64gb cards in, the better resolutions open back up. Also, a major, major issue is that it's supposed to hold 240gigs of data... on my 64gb...

I have a shoot in Chicago where I have to travel from LA... it'll be out in the field all day, no charging available so I need to bring as many batteries as a I can. I have the Anton Bauer plate and some Dionic 90s but they're slowly losing their charge capacity and I need to buy a new battery...

I finally saw this video; https://www.youtube.com/watch?v=EHkozMIXZ8w ...I think everything about the look is amazing; the lenses and especially the color. Does anyone know the DP of it and, especially, the colorist? I saw the making of, it was shot on Epic. On a side note, is there a...

When I was doing research for lenses, I never saw anything with a Scarlet and anamorphics, let alone Lomos so I figured I'd post this video I just shot with them; https://www.youtube.com/watch?v=tXRqSintUbU&noredirect=1 The label just posted this a little bit ago... it's for this new three...

What I keep waiting for, I haven't seen yet so I thought I'd mention it in the hopes that RED makes it. RED's always had the non-traditional approach, which I love so this would be geared toward the true Indie filmmaker who doesn't care about permits and insurance... the RED "Stealth." It's...

I'm embarrassed to even ask this outloud but, for the life of me, I can't figure this out. I rarely use PLs but when I have, they've been fine... used some Zeiss standard speeds, a wide angle one, etc... but is my first time using Lomo Square Fronts and they're mounting 'tilted'. I don't know...

I've been looking around for an answer to this, to no avail, but has the Anamorphic Mode ever worked its way onto the Scarlet in the recent firmware updates...? (I haven't updated in a little while.)

I just saw the screening of "Justified" last night at the DGA with the new 4K projector they just put in for the screening. I'm sorry for being a company guy but, I'm telling you, watch the show tonight to see what the RED can do. It's amazing what they've done with the overall look and feel...