Jason Honeycutt
Well-known member
When I was doing research for lenses, I never saw anything with a Scarlet and anamorphics, let alone Lomos so I figured I'd post this video I just shot with them;
https://www.youtube.com/watch?v=tXRqSintUbU&noredirect=1
The label just posted this a little bit ago... it's for this new three brother boy band for Sony, the budget was shockingly low so I had to just do handhelds (while directing at the same time), had a bounce walking alongside as well, two person 'crew' for the exteriors, sometimes just myself. The only real lighting was in the theater, the trick being to hide the fact there were only 60 extras as the 'crowd', haha... but I think with the dark areas and framing, that worked pretty well... and we finally get to see these things flare.
Also, I rented a 35mm and 50mm but the pin on my PL mount (which I discovered the day before the shoot) was not in the correct position. I forget the guy's name, the guy from Poland who sells the mounts, but they don't work with PLs... just regular lenses (I'll be buying a new PL mount elsewhere, if someone wants to take mine off my hands, just PM me). I could slip the mounting bracket for the 35mm but couldn't for the 50 so I just stuck with the 35mm the entire time.
There are a couple pick-ups where I used my Tokina 11-16 (like the LA angle dolly-ins on stage) and the exterior of the theater.
Just wanted to show you guys some footage from a Scarlet with anamorphics since I'd never really seen anything before, just Epic.
https://www.youtube.com/watch?v=tXRqSintUbU&noredirect=1
The label just posted this a little bit ago... it's for this new three brother boy band for Sony, the budget was shockingly low so I had to just do handhelds (while directing at the same time), had a bounce walking alongside as well, two person 'crew' for the exteriors, sometimes just myself. The only real lighting was in the theater, the trick being to hide the fact there were only 60 extras as the 'crowd', haha... but I think with the dark areas and framing, that worked pretty well... and we finally get to see these things flare.
Also, I rented a 35mm and 50mm but the pin on my PL mount (which I discovered the day before the shoot) was not in the correct position. I forget the guy's name, the guy from Poland who sells the mounts, but they don't work with PLs... just regular lenses (I'll be buying a new PL mount elsewhere, if someone wants to take mine off my hands, just PM me). I could slip the mounting bracket for the 35mm but couldn't for the 50 so I just stuck with the 35mm the entire time.
There are a couple pick-ups where I used my Tokina 11-16 (like the LA angle dolly-ins on stage) and the exterior of the theater.
Just wanted to show you guys some footage from a Scarlet with anamorphics since I'd never really seen anything before, just Epic.