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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Phil Holland's PhilmColor Creative 3D Luts for IPP2

This was shot 4 years ago on the Epic MX Sensor. That what is so great about Phil's LUTs and IPP2! I've been using Phil LUT on my commercial work as well, when i get permission to release i'll show them off. These LUTs are the best thing out there.
 
This was shot 4 years ago on the Epic MX Sensor. That what is so great about Phil's LUTs and IPP2! I've been using Phil LUT on my commercial work as well, when i get permission to release i'll show them off. These LUTs are the best thing out there.

Jacob,

That's amazing to know. I could have sworn that it was shot with either the weapon 6k Dragon or 8K Helium. I guess it just underscores the necessity for great Luts Like Phil's with the IPP2 workflow.
 
This was shot 4 years ago on the Epic MX Sensor. That what is so great about Phil's LUTs and IPP2! I've been using Phil LUT on my commercial work as well, when i get permission to release i'll show them off. These LUTs are the best thing out there.

Not RED ONE MYSTERIUM?
 
Hi Phil - PHFX.com is down right now - just noticed when I went to use FormatCompare.

Best,

Dan

Aware. I've been slowly and now suddenly changing hosting companies/web servers. The next 24 hours are "fingers crossed mode".

After this is done though, everything should be significantly faster. The problem is moving 20 years of web data to the new site and making sure it's bullet proof.

Sorry for the delay.
 
Aware. I've been slowly and now suddenly changing hosting companies/web servers. The next 24 hours are "fingers crossed mode".

After this is done though, everything should be significantly faster. The problem is moving 20 years of web data to the new site and making sure it's bullet proof.

Sorry for the delay.


Good call Phil. We went through that a few months ago. I know what you are going through.

Good luck,
 
Good call Phil. We went through that a few months ago. I know what you are going through.

Good luck,

It's been an hard battle, but the hosting company that I've been with since I was literally a teenager has been letting me down hard as of late. But in the end a functioning website that works is the only thing that matters despite my loyalty over these years. They just can't keep up with the times or the load my site requires. Sucks, but it will lead to a better experience "for everybody" hopefully.
 
Purchased! Super excited to put them through their paces this week as we prep/test for a big project. Phil when are you going to teach another workshop like the one you did about a year and a half ago? Cant remember the name but it was the stilt house one. I had to bail last min for a project and still regret it. Thanks again for all the support!
 
Purchased! Super excited to put them through their paces this week as we prep/test for a big project. Phil when are you going to teach another workshop like the one you did about a year and a half ago? Cant remember the name but it was the stilt house one. I had to bail last min for a project and still regret it. Thanks again for all the support!

Ah Stiltsville was great. One of the best RED workshops really. Extremely unique.

I'm thinking pretty soon. Perhaps........ In LA? I'm doing a small demo on the 16th at RED Studios Hollywood with Duclos, Sigma, and RED. I should likely post that. It's free to attend!

http://tiny.cc/lensLab


Even Scarlet MX?

Yep. Any REDCODE RAW file and if you're doing it the stacking way you can even doing on proRes, but you'll get more out of REDCODE.
 
Loving these luts Phil, even the subtle tone adjusts save me time trying to decide between the different steps of highlight rolloff in IPP2. It fills the gaps without even needing to rely on curves.
 
Loving these luts Phil, even the subtle tone adjusts save me time trying to decide between the different steps of highlight rolloff in IPP2. It fills the gaps without even needing to rely on curves.

Rad. I sort of think of the toneAdjusts as "pushing and pulling" from a film development perspective. With certain film stocks you'd sometimes expose a specific way and have the lab say push 1 stop and that would provide a bit of a different look and feel. Also often resulting in different texture as well.

Particularly though, the toneAdjusts have a few things that are more than straight pushes. Those cineTone curves and a few others are fancy weird things that are influenced by a few stocks.
 
Just wanted to thank you guys for supporting philmColor. In the last month in particular I've been sent frames and trailers for stuff coming to Netflix, theaters, and a whole lot of commercials. Love seeing how you are putting these looks to good use.

The update is coming along nicely. Have a bunch of stuff "done", but a few more things I want to create. Should be released in September free to all those who purchased.
 
Next week I get my upgrade to 8K S35 and gonna go straight to your website and start playing with those babes Phil LUTs in Camera....
 
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