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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Panavision DXL2 3D LUT!

Just finished a short film using this DXL Lut.

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What's the difference with this one (did you lower it a ~stop and re-export the LUT or is it from Panavision)?

I'm wondering if Pana had pre-ISO Cal2 and post-ISO Cal2 versions (e.g. they compensated for more accurate in the metering in their LUT, prior to RED introducing it via firmware). In that case, the pre-ISOCal2 would have been about a stop brighter when applied to an ISO Cal2 captured image.
 
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IPP2 Lut


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IPP2 Lut with Skin Modification


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Pana2 Lut-With a few Primary Modifications


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I understand that it’s darker, but is it just a “-1” re-exported LUT, or is it an updated version of the LUT from PanaVision (with additional improvements)?

I definitely prefer less yellow/green in the skin tones of all the DXL LUTs.
 
What specifically does this lut do?

Nothing too magical, it just looks really nice. It's cool using a Light Iron developed/Panavision approved RWG/L3G10>709 conversion LUT because Panavision is a mainstay in the feature film industry (75+ years making moving pictures look their best) and Light Iron are amazing at post/colour (especially with R3Ds).

So it's a nice industry-vetted alternative to RED's own normalization, that a lot of people think is a bit prettier out of the gate.
 
I imagine if any of you looked at the ghostStocks already in philmColor you'll be pleasantly surprised and perhaps find some familiar concepts. But hey, I released those a few years ago.

But you're right Rand the new stuff coming and coming um.... Very shortly. Will surprise you too. I think. I haven't been sitting on my butt for 2 years.
 
Phil,



Well Alrighty Then!!Now I can't wait to see what Philmcolor 3 will bring!!!
 
How would the DXL Lut work with the MX sensor?
 
Pulled out a Scarlet-MX shot while I was archiving some footage.

Ran it through Resolve to see for myself how the old MX footage and that Panavision DXL LUT look -







Just made basic one-node white balance, exposure and contrast corrections to get them looking similar, didn't fiddle with the actual colours.

Nice sensor, nice default colours and LUT.
 
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