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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Panavision DXL2 3D LUT!

I also Like the fact that The Panavision DXL Lut can keep all the "Candy" colors in this image "In Gamut" without additional processing on my part like an "OFX Gamut Mapping" tool.





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Used this LUT on a spec project recently that had a super quick turnaround. There was no time (nor money) for proper "grading" so this LUT really came in handy. Just WB and exposure sliders.

Really nice look. I like how much it tamed the particularly nasty green tinge in the lighting downtown.

Helium
Zeiss Contax 35mm 1.4
Black Pro Mist 1/4

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Great looking footage Bob! and from Aaron from above as well! I hadn't been here since last month and thought this thread had died, I see it hadn't.
 
A Test from a few months back on the Panavision DXL2

With Some Commentary by Reduser Member Peter Lyons Collister, ASC


DXL2 A Wider Gamut





By Panavator Panavision



an Update to the Panavision Camera, The Millennium DXL2.
 
I am also getting a very bright image when using with Helium footage. I feel like exposing with this on in-camera might not be the best course of action because the negative will be underexposed. I know there was a comment on the thread about exposure compensation but does anyone have a corrected version of this that wouldn't boost luminance so heavily?
 
Luigi,


I applied it to one of your sample images from the Minilf-Monstro thread to an RWG/LG3G10 image. Then with a few minor 'Primary" corrections it gave reasonably accurate skin tones.


The qualifier was used to check the skintones not as part of the grade.

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rand thompson said:
Luigi,


I applied it to one of your sample images from the Minilf-Monstro thread to an RWG/LG3G10 image. Then with a few minor 'Primary" corrections it gave reasonably accurate skin tones.


The qualifier was used to check the skintones not as part of the grade.

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Click to expand...
thanks, Pana Lut is better on sKin and also remove a good part of the ever-present green tone.
But then below, in blacks, the shades of blue increase .. try it on the prores movies that I did on the fly in the red minilf thread, and you will understand what I'm saying.
 
Yeah,

The blues are enhanced and Blue is the noisiest color channel of the three

Monstro

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Alexa

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I was testing my new orion lenses during the hollidays. Nothing scientific, just to see how they behave wide open on monstro. Used the pana lut when transcoding. Most of it shot in quite extreme kelvins, even so the pana lut holds up well I think. Its more of a look than accurate colors, but I like it.

https://vimeo.com/381831494

 
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