Finn Möller
Well-known member
Make it 100 and we all can be friends![]()
THIS! #50hz
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Make it 100 and we all can be friends![]()
I have a Micro rig I take to set with me sometimes just to have available. Entire kit with 2 zooms, full ND set and extra batteries fits inside a small photography bag. Love that little guy.
Komodo would allow that kit to be future proof, 1080P is getting soft as an acquisition format. Still cuts in with dragon footage but matching can be a chore.
THIS! #50hz
I'm guessing 5k m43, and regular full-strength redcode ("redcode lite" seems more of a hold-over from when it was a Hydrogen module first/foremost and this is now directly under the RED umbrella.)
For better or worse, the mount isn't Micro 4/3. Sadly, it's not Sony E either.Selling a M43 camera for $5k would be a feat of RED caliber. If anybody can pull that off RED can!!!
I mostly agree with this: "Low-light performance has been solved. We don’t need a camera that can see in the dark at 1,200,000 ISO. That’s just a marketing gimmick and it’s stupid." But if you can get a clean ISO 1M with 16 stops of DR, you wouldn't say no.Interesting media article:
https://www.4kshooters.net/2019/08/01/sony-a7siii-cfexpress/
Okay wait a minute. I did some more investigative journalism (aka web surfing) and I now come to the conclusion that... the mount is superficially RF, but the placement of the front of the gate doesn't quite match. The flanges and their relationship to the contacts also don't quite match. But the seventh contact (from left) does meet up with the left tip of the lowest flange. So this could be a Frankenstein mount as far as we're concerned right now.
Is it possible to use Leica M Lenses on this RF mount