Just sharing a job I had fun with last month.

[Andrey B]

This is unbelivable!

 

[steve green]

Masterful, Mark.

 

[greg filipkowski]

Again Amazing work, Any filters in front of the lens?
Ratio? 8:1 4:1?

 

[Phil Holland]

Really gorgeous work Mark.

 

[Mark Toia]

Really gorgeous work Mark.

Cheers man

Again Amazing work, Any filters in front of the lens?
Ratio? 8:1 4:1?

8:1
And a VND for filtration
Aspect 2:1

 

[Kenny Mosher]

This is so good Mark. So legit!!!!

 

[Paul Russell]

very nice. I'll be showing it to my mate, another Red shooter but addicted to PL glass, tomorrow.

 

[reuben colazo]

Looks very clean Mark, thanks for sharing.

 

[Mark Toia]

very nice. I'll be showing it to my mate, another Red shooter but addicted to PL glass, tomorrow.

Im a bit of a PL man myself... But this Canon glass is impressing me.

 

[scott william]

Where is the link to the video?

 

[Marc Dunham]

I never can seem to get that crisp of any image with my canon glass...hmmm, very nice stuff.

 

[Mark Toia]

I never can seem to get that crisp of any image with my canon glass...hmmm, very nice stuff.

I havent done anything fancy with it, Its just a REDLOGFILM, PRO RES transcode. No sharpening done.

Where is the link to the video?

http://www.zoomfilmtv.com.au/ftp/Toia_latest/Natural_Gas_1280_4000.mov

hi Mark...

Fantasctic shot you are best REDVOLT MAN ))))

I do love my REDVOLTS. ... Just finished a YAMAHA shoot on Monday. in total only used 15 RED VOLTS. The secret is, when the camera is not in use. Turn it off.

 

[Clovis Ong]

absolutely fantastic

 

[Nick Pasquariello]

I do love my REDVOLTS. ... Just finished a YAMAHA shoot on Monday. in total only used 15 RED VOLTS. The secret is, when the camera is not in use. Turn it off.

So glad to hear this. I've got only 2 150wHr V-Mounts and 2 RedVolts. It's completely useable, but only because I know my gear and how to gauge the use. Just had a shoot as B Cam where my Scarlet had to go on a very lightweight Jib. "Hey, can you strip yours down to under 8 lbs?" Sure. But there'll be limited battery time. "Ok. Do it."

Off comes the top handle, magic arm, and V-Mount plate and battery. Just a Side Handle, Red Volt, 5.6" LCD, and a Contax Zeiss 35/2.8. On the one hand, it felt a little under-prepared to keep saying to the DP, Hey, 20 minutes left. Hey, 15 minutes left.

On the other hand, given that the Director did not seem to be moving things along that day, it felt pretty OK to have a tangible reason to push and get the shots knocked out.

Really Mark, the more you talk about how you work, the more it sounds like you do all the things that make intuitive sense to me, yet everyone says that the pros "just don't work that way."

 

[Jason Comparetto]

Really great work!

 

[Patrick Grossien]

When I was growing up through the ranks, there was a fantastic Director / DP I used to admire... All I wanted to do was to beat him ! He rang me last year out of the blue... Just to say, Congrats. He made my decade
I tell a lot of young aspiring Director DP's Im mentoring, to look at my work and to try beat me on all levels. And I really hope they do.

And thanks Patrick.

Hehehe. Ok, I'll wait for your call then or Ill do it the other way round, and give you a call when I beat you
Damn, now how do I do this?

 

[Patrick Grossien]

I just read that you used a vary ND. Which one? and exactly how happy are you with it compared to fixed ND?

 

[Dylan Macleod CSC]

Stunning stuff Mark.

 

[Adam Johnson]

That was pretty damn EPIC! Awesome work!!

 

[Noel R.]

Mark that was amazing, you really need to shoot a movie. Forget the distributors, your work is incredible. If you go the kickstarter route you have my support.