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thank you..
i can also count on you and david being up after midnight LA time...consistency is a virtue in my eyes and you two have it, hope to meet you someday.
here is an update ladies and gentlemen:
I had a busy day today getting some logistical stuff done that has nothing to do with my cameras. one of the things i did do related to all of you reading this was I went by keslow and picked up my epic x Dragon #00031 along with 2 of my master primes, my 25 and my 32. so now I have the weapon, a dragon and an MX red one at my space ready to be put to the test. my goal is to spend part of the weekend shooting a bunch of things. I would like to get as many suggestions as possible about what you all would like to know. for me I am mainly interested in what i can tell my dp and producer/director clients the difference is between the weapon and the dragon as i just spent 40k+ on the upgrade and also another 20k on mini mags and i want to be able to start paying that stuff off. the way to do that is to have the camera in demand and the way to do that is to make the case for the camera as a better choice than the dragon. now when the camera turns into an 8k camera, that will be much easier, the question for the next few months is why should i use a weapon over a dragon besides the weight difference and the black shading.
stay tuned....and thanks for your patience i know there has been basically radio silence for almost 43 hours, believe me it hurts me more than it hurts you because i am the one that spent the money and needs a return asap, so i got you guys...please leave me some clear and concise and do able instructions on what you want and i will do my best with my team to execute. thanks.
dino
thank you..
i can also count on you and david being up after midnight LA time...consistency is a virtue in my eyes and you two have it, hope to meet you someday.
Great stuff, Dino.
I think there are 4 things that would mean a hell of a lot to quite a few.
Lowlight comparisons (at lowest possible compression)
Highlight performance.
High speed compression comparisons (yup, the dreaded tree-leaves with the sun in the background and deep focus is till possibly the best test for that)
As to prores:
Compare transcoded vs recorded prores 444. I would really not mind seeing 1080
Same goes for highspeed.
As to workflows:
If weapon can do the Alexa trick of recording RLF + CDL (instead of baked prores), that would be a great leverage for the platforms.
dino g said:for the record i only have the low light olpf on the dragon and weapon, so i can not test the skin tone.
for the record i only have the low light olpf on the dragon and weapon, so i can not test the skin tone. perhaps another time i can do that. thank you all for the feedback, keep it coming this will be happening all weekend.
dino
here is the answer to that question...
which is NO SMEAR ON WEAPON....
this is the same exact shot from two separate cameras on the same head
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this is the Dragon with skin tone at 4000 ISO ( which i would never do in real life btw) DC2, RG4. 32 MM Master prime, 180 shutter no grade, straight out of RCX tiff Snapshot
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weapon 6kHD low light OLPF, , 4000 ISO, DC2, RG4, 27 MM Masterprime, 180 shutter - no grade, straight out of RCX tiff Snapshot