There is a video, for those who have not seen it that contains (a short way in) footage of Larry McConkey using a Movi on his Steadicam Ultra2. Do a search for Larry McConkey uses Movi on Steadicam and you will find it. Larry is one of the best if not the Best Steadicam operator in the world. A true living legend. In the video he is using it in dual operator mode. He moves the Steadicam and the other operator is using a set of remote geared wheels that are slaved to the RC controller. I repeat, Larry may be the very best Steadicam operator in the world and has spent many, many years refining his skills. The other operator as well is fluent in operating a remote head with geared wheels. Neither is a walk in the park and it required close communication between the two. Two brains equals more hassle and more time needed learning it. Using a 3 axis gimbal in follow mode on a Steadicam is, in my opinion, not acceptable. if myself or someone else does not have full control over placement of the lens for the shot, you are half-assing it. I have done Steadicam for NFL Films long ago so i would not recommend this combination for football without lots and lots of practice and a reliable communication system between the two operators and a great long range wireless video system. My two cents from 20 plus years as a feature film and television Steadicam op with Academy Award winning film credits.
