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Birger Lens Mount Reservations

I have an bank breaking (for me) amount of money invested in both RED and Birger to use with my Canon and other stills glass. It's been very frustrating watching the relationship deteriorate and being unable to do anything about it.

If I lived over in the States, I'd have been getting all parties together and been willing to broker negotiations and enforcement of warranty agreements, just so that my golden investment doesn't turn to base metal, but sadly I'm too far away. :sad:

While Scarlet and Epic will bring a built in solution, anyone buying a used RED or for whatever reason not able to afford to upgrade when Scarlet and Epic arrive, will be without an approved solution for using their own affordable stills glass. There are also high-end users with bigger budgets, such as Gibby, that also want a smart light stills lens solution for RED One. And until, Scarlet and Epic ship, it's currently the lightest remote lens focus solution for the RED One for Steadicam use.

I second Stephen Pruitt's call for some sort of reconciliation.

It's sometimes hard to admit poor decisions when one has a lot riding on a product, but I think Erik needs to make the first move and admit that things developed which went beyond the terms of the agreement reached to keep RED warranty. In the end, it's the responsibility of 3rd party accessory manufacturer's to do everything reasonably possible to keep the 1st party happy.

However, understandably Jarred will be reluctant to go where he's been burned at least once if not twice! But, if not, then a surely significant proportion of RED's user base will be in a really bad place.

Even if RED came up with their own low cost smart, user installable/adjustable, Canon EF stills lens and remote control accessories for the RED One today, users who went the Birger/stills glass route will often not have the budget to buy another system, especially as that would essentially make their almost new Birger secondhand value plummet.

As we've seen with the other non-delivering/delayed/buggy 3rd party stills lens mounts and lens controls, designing and manufacturing an affordable yet professional level smart mount and controls is far from quick & easy, and even more difficult if they're tiny single man operations, despite their undoubted technical ability.

The profit margins shrinking to very slim, if not zero, here have probably been the single biggest issue leading to all the communications, debugging and delivery time problems we've seen. But also retention of intellectual property (Birger firmware, RED i/pin), control of company directions (RED didn't want to develop every possible accessory, Birger also has other pre-existing non-RED industrial clients), and oversight of modifications (the geographic separation of the two companies being a possible barrier).

So where do we go from here?

What I'd like to see in my perfect fantasy is:

1) RED (out of the bottomless goodness of their heart!) provides some free/subsidised low cost workshop and machining space at RED HQ in Vegas or California capable of manufacturing the Birger EF mount/controls for RED One, but also crucially separately able to service Birger's existing non-RED related business clients in confidence as he needs to keep that non-RED business going.

Why would RED want to do this? Birger are the only currently viable manufacturer of this specific type of accessory for the RED One, and RED does not want to manufacture it themselves, and existing RED Birger users can't afford/don't want to spend even more money.


2) Birger temporarily relocates operations to Vegas or California until they have a rock solid Birger mount solution which does everything it's currently able to do without bugs and without potential RED warranty issues. The geographical co-location allows easy consultation with RED over new designs, facilitates RED drop in visits to monitor modifications, easy face-to-face communications, elimination of the infamous "radio silences". Birger could also buy into the RED shipping and postage infrastructure, and take advantage of RED's economy of scale there.

Why would Birger want to do this, with the inevitable stresses and strains of a relocation far away from home, friends and family with a new baby, albeit temporarily? Well, if the Birger EF mount fails in the market, all his investment in work, money and emotion for two or more years is for nought, future revenue stream from this product is cut off, professional reputation fallout is high, personal pride is damaged, personal stress probably impacts health.


3) Birger one-man band gets some much needed additional man-power. This is probably the trickiest thing to overcome.

As an engineer myself, albeit at a much lower level, I can guess that his long term work in Canon EF protocol firmware and interface is probably something he wants to keep close to his chest. Giving other workers access to his workshop will involve giving up some of his privacy and open up a possibility of loss of his IP in his work. Therefore, other workers probably will have to sign binding NDAs, and/or be his direct employees. BUT, his current revenues/debts probably mean he cannot currently employ more people and still make a profit. I don't know the answer to this - RED/Birger users please chime in!

I am assuming RED would not want to buy out Birger's Canon EF mount side of the company, and Birger would not want to sell!

Raising his prices of course is one way that REDusers won't want him to go, and in any case there is limited scope there before REDusers will go with renting Bartech's and motors and Nikon lenses instead of owning. Besides, existing Birger owners won't be buying more Birger kit if the situation doesn't get fixed.


4) While I'm at it, the Viewfactor Impero/Inclino/Origo woes kinda overlaps the situation. Is there mileage in physically closer working between RED and Viewfactor for similar reasons!

Just thinking out loud in the hope of some amicable and mutually beneficial resolutions...

Eric
 
Tumbleweed :frown:
 
Tumbleweed :frown:

Had to look up what tumbleweed meant:

"Describing unwonted silence and inactivity. Often used of a situation when one makes a statement that is ignored or ill-received from one’s audience. Gives the impression that a tumbleweed has passed through the room, as the resultant silence is likened to that of a desolate desert."

Eric: There's been a fair amount of talk about the Birger situation over on another thread:

http://reduser.net/forum/showthread.php?t=39252
 
Thanks Michael

Already been keeping tabs on the other thread, although that thread hasn't answered my post.

Ironically, as there's no tumbleweed in the UK as such, the use of that word as an adjective is rather UK specific. I think it was first used in a comedy show called Reeves & Mortimer, but has since been used to describe the sound of deafening silence after a terribly bad joke often accompanied by the sound effect of a mournful wind as of a desolate desert, hence your definition!
 
Without knowing the background, as many others, I do sincerely hope that some kind of solution is found between Birger and Red and then, life goes on. The question is not only of the EF-mount. If Birger is also in the future in the Red ring, in my understanding what ever 3rd party accessories Briger made, those would be technically the best 3rd party accessories available.
 
Eric,

I think you are not considering the economics behind the scenes. Birger is a small firm that has invested a lot of time in reverse engineering the Canon lens API and making an EOS smart mount work. Erik had the ES-232 working as an optical device for industrial assembly line work before the Red One was even announced.

If Erik/Birger makes $400 / unit (which I doubt) and a healthy percentage of Red One owners have bought them, say 250 (WAG), then he's looking at $100G payoff for a COUPLE of YEARS worth of work. That don't cut it in bean town, especially when you start subtracting Erik's necessary monetary investment.

I assume that one of the reasons the Red Team is upset is that they want to be able to freely develop the API between their lenses and the camera, but now that Erik's clients have started to use it they will get (are) deluged with calls when they tweak the API and cause a problem with the Birger mount. This is an assumption, but you see this type of thing all over the IT industry (ie: Microsoft keeps all the low level APIs for themselves, so does Oracle). A fully integrated mount may just be too intimate for a third party to provide.

In my humble opinion the best solution for the user base would be for Red to simply buy Erik out, but one has to wonder if it would be economically viable to do so. What price would Erik put on that part of his business, and how many additional units would Red end up selling? Secondary to this would be to hire him as a consultant for a year or so to develop the EOS mount for Epic and Scarlet. Erik has years invested in reverse engineering the Canon APIs, and unless Red has an in with Canon Erik is probably their best bet for getting the EOS mounts up and running in a timely fashion. From a business point of view they would be then spreading the cost of buying the mount design from Eric between all of their product lines, which would probably bring the current Birger mount owners into the permanent support envelope.

All of business is a series of value propositions...

Bob
 
Soluton? No...

Soluton? No...

Eric,

There is not going to be a solution. Erik knows this and I'm betting he's focusing on other things. There is nothing to be done. I'm sorry I cannot say more on the matter, but you have to look at this from a different perspective than you are right now.

This is business. Pure and simple.

When people have millions of dollars into something, the reactions can be very strong. Right or wrong..

You don't have to like it... But there it is.

Jay

Edit: I somehow missed Bob's post.. Very insightful.
 
Bob and Jay

Thanks for your posts and I'm afraid I was thinking along the same lines, but had to try and move things in a positive direction.

I like Bob's buyout/consultant solution which I partially suggested too in my post too, but it's about the financial numbers.

I understand the API problem, and if Erik had said upfront he wanted to make use of it, then I'm sure RED would have at least listened if not exactly welcomed it. If they had allowed it, which is a big if, then Birger would have been in the same, or better, position as he is with Canon, in that everytime they tweak their own API, Birger has to play catch up. If he'd had RED approval, then he'd have likely at least gotten a heads up for an upcoming API tweak.

I do have one final suggestion, but want to hear from RED first before going there, as I feel it's a step backward as it presents a solution which doesn't satisfy any party completely.

Happy New Year all anyway!
Eric
 
Wow! This used to be a real happenin' thread. There's tumbleweed all up and down the street. Let me just wipe the cobwebs off the keyboard here.

This is the first post of the 2010.

I can't find any information on the Birger PL. Does it exist? What is it? What does it look like? Will it explode my camera? Has Erik left the building?
 
Birger PL

Birger PL

Birger PL mount was released in November at Vision/Stuttgart. Attached pictures are of our booth/demo and the PL mount next to the EF mount. Remove the EF mount (4 screws) and attach the PL mount base (8 screws), rotate the locking ring into place, tighten one more screw, and you are done. These have been available from stock since release. Email Amy if you want one. $400/each plus shipping.

There are two limitations:

The first, you must re-collimate for the PL mount, but as long as you write down the collimation settings on the camera adapter, you won't have to re-collimate each time you change from EF to PL or vice versa. Or... if you have access to a granite plate, and a drop indicator, you can simply measure the thickness of your EF and PL mounts, and dial in the difference.

The second, we aren't passing the i/data through to the camera. Not many lenses support this feature...

We're around, just busy...
 

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Birger PL mount was released in November at Vision/Stuttgart. Attached pictures are of our booth/demo and the PL mount next to the EF mount. Remove the EF mount (4 screws) and attach the PL mount base (8 screws), rotate the locking ring into place, tighten one more screw, and you are done. These have been available from stock since release. Email Amy if you want one. $400/each plus shipping.

There are two limitations:

The first, you must re-collimate for the PL mount, but as long as you write down the collimation settings on the camera adapter, you won't have to re-collimate each time you change from EF to PL or vice versa. Or... if you have access to a granite plate, and a drop indicator, you can simply measure the thickness of your EF and PL mounts, and dial in the difference.

The second, we aren't passing the i/data through to the camera. Not many lenses support this feature...

We're around, just busy...
Erik, I didn't realise they were out either. Would it be possible to show the swap procedure between the two in more detail, or via a quick how-to video on Youtube or the like? I'm trying to imagine how the procedure is different/easier from the current PL to Birger EF mount swap procedure.

Thanks!

Paul
 
Erik, I didn't realise they were out either. Would it be possible to show the swap procedure between the two in more detail, or via a quick how-to video on Youtube or the like? I'm trying to imagine how the procedure is different/easier from the current PL to Birger EF mount swap procedure.

Thanks!

Paul

Paul: you don't do anything to the main part of the birger mount that attaches to the camera. You simply remove the front part of the birger mount that has the actual canon bayonet - no messing with the idata cable or any connectors and you don't have to remove the screws that hold it to the RED (In other words you don't touch anything RED.) Then screw the PL part on. This works because PL is 52mm from sensor, canon is only 44mm.

I had a chance to test this with my Zeiss 10mm which is probably the biggest/heaviest PL lens other than a monster zoom and it was very solid even with no support. Very well made.
 
Does the Birger/Impero have a linear setting?

Does the Birger/Impero have a linear setting?

Hi all. . .

I know I'm a wimp, but I'd really like a linear focusing setting on my Impero so that I can follow the camera down the dolly track easier and know that identical incremental movements of the Impero correlate with identical distances on the track. I'd find it a lot easier to stay in focus on lengthy moves.

Does this feature exist?

Thanks.

Stephen
 
Wimp.

:)
 
I know I'm a wimp, but I'd really like a linear focusing setting on my Impero so that I can follow the camera down the dolly track easier and know that identical incremental movements of the Impero correlate with identical distances on the track. I'd find it a lot easier to stay in focus on lengthy moves.

Unfortunately, every single lens design is non-linear in a different way, so this would require profiling each one you wanted to use, and then calling up the appropriate profile for the lens you are using. In other words, a gargantuan task. Canon alone has about 60 current autofocus lenses available, and then there's Tokina, Sigma, and Tamron, plus discontinued models.

Your best hope for linear focusing looks like it will be the upcoming RED FF35 electronic lenses.
 
Realistically it seems like that is something you would probably have to pay Birger to do a custom profile for a few specific lenses.
 
Paul: you don't do anything to the main part of the birger mount that attaches to the camera. You simply remove the front part of the birger mount that has the actual canon bayonet - no messing with the idata cable or any connectors and you don't have to remove the screws that hold it to the RED (In other words you don't touch anything RED.) Then screw the PL part on. This works because PL is 52mm from sensor, canon is only 44mm.

I had a chance to test this with my Zeiss 10mm which is probably the biggest/heaviest PL lens other than a monster zoom and it was very solid even with no support. Very well made.
Ah, thanks for that description Michael, sounds pretty sweet then!

Cheers,

Paul
 
Birger/Impero footage on PBS tonight

Birger/Impero footage on PBS tonight

My apologies for the last minute notice, but I just wanted to let people know that I film I DP'd using my Birger/Impero combo will premier at 9pm on PBS tonight as part of the American Experience series (at least that's the time in the Eastern US, check local listings).

"Roads to Memphis," is a powerful film about the tragically intersecting lives of Dr. Martin Luther King, Jr. and James Earl Ray. As Director of Photography, I created a series of vignettes to help bring to light the actions and motivations of a man who scarred the nation at a time when America was coming apart at the seams. The film was directed by Steven Ives.

The film went into production right when the Impero first became available. The system worked beautifully and Erik was really helpful throughout the process. It allowed us to do things that would not otherwise have been feasible with our budget. I still consider it to be the most valuable addition to my kit.

For those that miss the broadcast, there a short except here:
http://archipelagofilms.com/pages/cinematography.html#reenactments.html
 
Andrew:

Sorry, I missed it. The clip looks good. I'll try to find a reairing.
 
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