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Not sure if this is the correct forum. I'm waiting to get in my S-W package. Should be in fairly high demand where I am. I was wondering what you people who rent out your equipment generally require? Proof of insurance? Collateral? Contracts? I just wouldn't want to be left hanging with a bill...

Trying to figure out a reasonable rate for myself as an owner/operator. My rates will have to increase, just wanting to get a baseline. Mind throwing out some ballpark figures you all charge for a half-day/full-day rate for yourself + camera - and your location?

I purchased 2 120gb mini-mags with the expectation that I'll be shooting and dumping about every 30 - 40 minutes on commercial/feature shoots. For weddings I'll probably just stick with ProRes 2k for the sake of saving card space (not to mention almost no brides care about getting a 5k wedding...

Any idea how much record time you would get on the S-W shooting ProRes 422 2k on a 120gb card?

How many nits is the 4.7" touch screen? Is it bright enough to see outdoors without a hood? Wondering if I should go the route of getting a smallhd?

This is for EF mount. Selling used. In great condition. Asking $375. Doesn't come with original box. Shipping to US will be a $15 shipping charge. This lens is perfect for the cropped Raven sensor. THIS ITEM HAS BEEN SOLD

Pros cons of Renting vs Owning a set of Cine lenses. I own all Canon-L and Sigma Art lenses, but am considering jumping into some Cinema glass like the cp2 or CN-E's. Is it worth it? Does it up your value, or should I stick with what I have and go the rental route?

Anybody know if the Alphatron EVF-035W-3G is compatible with HD-SDI out on Weapon cams? Also, are Weapons capable of outputting a LUT via SDI?

Looked into purchasing a few Canon CN-E's for a discounted price. They're brand new, but international versions (outside the US). Anything I should be wary of with that?

As a first time RED buyer, is it worth purchasing an extended RED Armor warranty for the S-W? I guess another question, is it even available for the Scarlet Weapon?

Ouch. Found this on the LensRentals website about the Ursa 4.6k - WARNING: We cannot recommend this product for professional work. We reached this decision after repeated failures in the field, experienced both first-hand by LR-folks and second-hand via rental clients. Though it might work much...

The whole point in getting these cameras (beyond the awesomeness of owning a Red), is ultimately to get work and get paid to do what we love. With that said, will the Scarlet-W get work the same way an Epic would? (I understand ultimately it's the DP, not the equipment, who makes the image) Does...

I have a Sony a7sii that I'm trying to decide whether or not to keep or sell and maybe buy up some new lenses. I've always had two cameras just in case one craps out, and also for the flexibility of multiple angles. I'd just be curious to know how many people are single camera owners or do...

Any idea of which Sigma lenses are functional with the Raven? Looking into getting the Sigma 18-35mm 1.8.

Just purchased the Raven with the DSMC2 v-lock expander. I'm coming from the HDMI world with the Sony FS100 and a7sii, so all my peripherals are HDMI. I have a Cineroid EVF and the Atomos Assassin, both HDMI only. Anybody monitoring exclusively with HDMI off their cameras? If so, is the workflow...

Not sure if this has been asked, but didn't want to scrub through 100+ pages. When recording RAW and Pro-Res simultaneously, are both files stamped with the same file names? Just trying to avoid having to go though and rename all the clips manually to create those proxy files.

Anybody know if the raven can output 4K or UHD over HDMI from Base I/O V lock expander?