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Thanks Rand, I've got good results too this way (LOG3G10 and RedWideGamut for timeline, and output transform with a LUT). While it's a legit option, still I wanted to have controls over the contrast and hilghlight rolloff in the raw tab instead of the lut transform in the node tree and looking...

Hey there, I was wondering who else uses the Color Charts in their workflow? I'm using datacolor chart and usually end up with kind of weird results, especially when I'm using lights (be it skypanel or aputure 300d - same) instead of sunlight. I'm getting too much of a red saturation in resolve...

Hey there, I've recently started experiencing a bad sector on my 128GB RedMag 1,8". When I was injesting files from my recent shoot one Mag crushed on me during copying (windows machine had a dead frozen state, it literally didn't happen to me ever since Windows XP). I've noticed that it hangs...

Haven't been posting in a while - had a lot of gigs recently so no free time. Wanted to update on the RS2 and DSMC1 - I have bought the basic ring grip from Tilta and bought the smart handles separately - directly from Tilta official store on aliexpress. They have arrived in two weeks to...

Hello there, I've ran into an issue with my Laowa 12mm Zero-D Cine PL and 95mm screw-on filters. Mine came with a 95mm thread, but the filter I've got (Freewell 95mm Vari-ND 2-5 stops) doesn't seem to fit on the lens. The front element of the lens protrudes so much to the front that it does seem...

As Phil mentioned, it's not only a wide-open shutter, but also a slower frame-rate. In the example you've mentioned it's about 4-6fps with 360 deg. shutter. I find 8-12fps much more fluid - it doesn't look so stop-motion like. Also, as Phil has already mentioned, Project frame rate is still...

Recently I was filming with my friend's Red Epic-M DSMC1 camera, and was shooting an interview using 2 cameras - my own Scarlet MX and my friend's Epic-M. The Epic was running much hotter compared to the Scarlet, while also had the v1.0 fan, and my Scarlet had the upgrade to the 2.0; I've...

Hello there, I was shooting a TVC commercial recently on Komodo, and was stuck with audio not feeding through SDI. The setup was exactly this one - the sound guy was sending a summ to the 3.5mm port on Komodo, Audio levels and everything was fine on Komodo itself, but the playback village wasn't...

Hey all. I know, this lens has been discussed before, but I've spent hours searching through forum and youtube/vimeo, trying to find any footage from this lens, or adress some of my questions related and didn't manage to. The thing is I'm likely to buy one as a basic lens for small gigs...

Hey everyone, I've been on a test recently, where Sony Venice was presented (Sony is not that popular on our market, still no Venice for hire). It was set up against Alexa Mini LF, utilising Cooke S7 lenses. Looking into the image everyone noticed Venice had a magenta tint to black/dark...

Is there any possible solution to control your internal lens AF through DSMC1 Scarlet, like it is on DSMC2 GDU Sidehandle? I’ve recently tried this using Epic W with GDU Sidehandle and found it very comfortable. I know you can use something like tilta nucleus m handles, but it is far not that...

Hello there. I've noticed one annoying issue and can't seem to find a solution - when I switch to playback mode of my Scarlet, the image which is sent through SDI to any monitor appears cropped and noisy - like a windowed mode. First I thought it was an issue of TV-Logic 058W monitor firmware...

Hello, I've already sent a ticket to Red Support, but occasionally they don't repair 5" Touch in some cases, and my case is one of them. Maybe someone have changed the protecting glass of the screen elsewhere? Any advice? It's not affecting the work yet, but my guess is the dot, where the...

When IPP2 was out, I have tried it a couple of times, but didn't see much gain on older Red cams (I use RedCine rarely). In December I was shooting a small spot for BUDxUBER, and there were two gel neon-colored Kino Tubes right in the frame. It was the time Resolve introduced IPP2 support, so...

I find original handles, like sliding top handle and side handle, very robust and comfortable. But, working with really heavy rigs sometimes, I have a reasonable question do they have a supported weight limit? I can't seem to find this info anywhere. By saying heavy rig - I mean something like...

I have a project where I need to shoot timelapse stuff during a period of a year (several days a season). It's on a countryside, so no access to power supply nearby. The thing is that it draws battery too fast, especially when the shot takes 8-10 hours to take (shadowplay or smth. like that). It...

Hello! On a shoot in July a rented DJI Ronin broke in two pieces, leaving camera hanging on wires. It was on a car-mount (quadrocycle + grip + vibroisolation plate) with a Red Scarlet + 18mm Zeiss .CP2 on it, kitted with lightweight mattebox with clear filter, focus and iris RT-Motion gears. The...

Hello everyone. I have a music video to be shot in Spain in a couple weeks, and I want to ask your experience of traveling with your Red camera. A friend of mine had experienced problems when he used to shoot a music video in Montenegro (they've had all their gear on hold by customs in the...

Hello! I'm concidering to buy a used RED EPIC MX ready to shoot pachage in Europe. I've checked all listed cameras for now here on REDUSER, and creating this thread for people, who might be thinking of selling their RED EPIC MX package and just have not yet decided to do so. Will concider...