Michael Dalton
Well-known member
- Joined
- Jan 9, 2009
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- Location
- Toronto Canada
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- www.digitalcrossing.ca
Something to consider about ProRes and Weapon. I've consulted on two episodic productions since Weapon's release. Since the majority of episodic content is shot at speed having the REDCODE RAW/ProRes dual recording is indeed a huge deal. You could for instance be shooting a production at 6K HD REDCODE RAW 5:1 with ProRes at speed, 23.976 fps. This is also applicable to features as well, though a bit less of a time crunch than cranking out an hour drama every 5-12 days.
That footage is ready to be utilized once the mag is downloaded. No waiting for transcodes. Just waiting for the mag to offload. This opens up a host of workflow options. Specifically ones that save time and money.
Phil, thanks for this, and with Jarred's FB post about DNX HR, it makes me very happy. Can you explain how one would ingest and then relink to the r3ds? Last thing I want to do is manually have to do this in Avid or Davinci.