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- #21
J. Orlandi
Well-known member
No response to my request email when I sent it
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If Komodo could get to 48p using the cropped 4:3 center of the sensor at 6K this lens would be a match made in heaven!
Need some sample video please
I have one more annoying request - probably waaaay unrealistic for price point but...
Like many folks, I mostly shoot Arri. I sometimes shoot RED. The last thing I directed that got us into festivals was on a Canon C300 mk2. Then for scouting and personal stuff I own Sony and Fuji DSLRs. The only mount I haven't used is L-mount... which ironically has the best anamorphic support!
So:
1. Could they just pick some adaptable mount (PL or EF or I guess even M mount) so we can adapt to many cameras? Unless this doesn't work optically...
2. Any chance of getting some kind of deal with them where we can get mounts changed? Even if it's not user-swappable, can they do it at factory, or just give us a deal if you trade in our set? Though I guess the realities of industrial mass production may make this unfeasible.
And finally, yes we already brought it up to them about Sony E-mount options, and mentioned some design options too. They agree, i told them moving forward they need to stop locking themselves into the M4/3 mount, since optically they cover the center of s35mm perfectly. Sony is a BIG player in cinema cameras and E-Mount is a no brainer to sell more lenses.
Why go with RF mount? The mount is not sturdy enough so you will likly need rods and lens suport. Feels easier / better then to use a suported PL mount, no?
Vazen emailed me saying a new PL 50 T2.1 is coming in 2 weeks. In that email they said RF would not be as sharp as PL -could anyone weigh in to advise how this would be?