- Banned
- #61
Amazing demo! Thanks, Vlad, for coordinating setting this up and kudos to everyone that helped put it together, especially Ketch, who brought half the production equipment in LA.
The more I see of the Red the more I can't wait to get my hands on it! John Cordell brought his Red #14 and walked us through the menu items, giving us a feel for what it's like using the camera's features like the false color map, which when turned on translates light levels into colors so that, for example, blown out areas are displayed as bright red and very low intensity areas are displayed as blue. I think it was Tony Graf who commented that this feature made it a breeze to light the green screen for that demo, which, by the way, was truly impressive. The green-screen key was pulled in Shake, which gave a quick and clean matte. The individual strands of the subject's hair were clearly visible and weren't degraded. Everyone who saw it was blown away at how clean it was with so little work.
Mark Mannschreck (Manny) brought Red #41 and a lot of his gear and tested out a lot of lenses with the Berger mount, and let a lot of us get first-hand experience using the camera. Ted Schilowitz, from Red, gave a briefing on how demos like this were a key part of how Red is making the camera known around the world -- which means there's definitely going to be more in the future.
And thanks also to Neil Smith, Aaron Peak and the other RPMPost guys for sharing their facility and their expertise in workflow and color grading. It was very educational
Excellent day! Let's do it again!
The more I see of the Red the more I can't wait to get my hands on it! John Cordell brought his Red #14 and walked us through the menu items, giving us a feel for what it's like using the camera's features like the false color map, which when turned on translates light levels into colors so that, for example, blown out areas are displayed as bright red and very low intensity areas are displayed as blue. I think it was Tony Graf who commented that this feature made it a breeze to light the green screen for that demo, which, by the way, was truly impressive. The green-screen key was pulled in Shake, which gave a quick and clean matte. The individual strands of the subject's hair were clearly visible and weren't degraded. Everyone who saw it was blown away at how clean it was with so little work.
Mark Mannschreck (Manny) brought Red #41 and a lot of his gear and tested out a lot of lenses with the Berger mount, and let a lot of us get first-hand experience using the camera. Ted Schilowitz, from Red, gave a briefing on how demos like this were a key part of how Red is making the camera known around the world -- which means there's definitely going to be more in the future.
And thanks also to Neil Smith, Aaron Peak and the other RPMPost guys for sharing their facility and their expertise in workflow and color grading. It was very educational
Excellent day! Let's do it again!