Zakaree Sandberg
Well-known member
http://finance.yahoo.com/news/Resistance-Forms-Against-nytimes-2426303374.html?x=0&.v=1
please let this nightmare finally end.
please let this nightmare finally end.
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Zakaree, your opinion and filling about S3D might be simply caused by the fact that ONE you have just simply not seen a well executed S3D or 3D movie in a proper Cinema not only properly equipped but also properly calibrated, or TWO you simply are one of a extremely small percentage of individuals which suffer form Retina and or Visual Cortex anomalies and for this you simply can't process the Fake Disparity of S3D or 3D, and suffer form it.
As far as the Article, is just one of very few against an incredible large and undeniable amount of supporting Directors, Producers, FilmMakers alike, and if originally intended for S3D and Shot S3D not converted, then Movies will be as good as they can get, and S3D has nothing to do with the story, just another tool, but if not done well, will kill even the best Story.
If you look back on History to the articles of Sound, and after that Color, you will see similar resistance, yet look were we are today.
no i fully understand that..
It sucks, cuz everytime i go to a 3d movie (many different places too)
i get really bad headaches.. and just hope movies dont shift this way, because I will never see a movie again if that was the case.
yah just not into gimmicks.. id prefer real good stories
http://finance.yahoo.com/news/Resistance-Forms-Against-nytimes-2426303374.html?x=0&.v=1
please let this nightmare finally end.
3D technology cannot enhance 2D storytelling. Quite the opposite.Filmmakers like Mr. Whedon and Mr. Abrams argue that 3-D technology does little to enhance a cinematic story, while adding a lot of bother.
“It hasn’t changed anything, except it’s going to make it harder to shoot,” Mr. Whedon said at Comic-Con.
No worries, there always will be a Standard Monoscopic version.
Let's bring 'The Tingler' back
"Percepto!" was a gimmick where William Castle attached electrical "buzzers" to the underside of several seats in movie theaters where The Tingler was scheduled to be screened. The buzzers were small surplus vibrators left over from World War II. The cost of this equipment added $250,000 to the film's budget. It was predominantly used in the larger theaters.
It's a new media.