Matt Thomas
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did they make an announcement on when the scarlet would be released or did i miss that?
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did they make an announcement on when the scarlet would be released or did i miss that?
Question regarding the STILLS side of DSMC: will this camera play nice with studio strobes? Is there a flash sync port? X-sync speed? Do tell.
Thank you.
I think that is incorrect. I'm pretty sure you can use your RED ONE as credit towards any camera body. It's the Epic-X package that just is most immediate and probably has the best value (if it's what you're looking for).
Someone correct me if I'm wrong.
Thank you for your answer, but can you tell me what you think this system will do?
Maybe the GPS is for all the people complaining about stolen cameras?
What are you talking about? All the Nikkor AF lenses work on all the Nikon DSLRs I've ever tried, including my lenses I own and use on my Nikon DSLRs almost daily. Maybe I missed something with the D60, but all is fine with the D40, D70, D2[X], D3, D90, etc..
Jared --
Nikon mount issues may come up, which you should be aware of. Nikon themselves fucked this up.
I bought a D60 because I own several AF lenses from their still camera line (loyal customer!). The autofocus does not work. Only "DX" model lenses will autofocus on any of their digital SLRs.
This could potentially affect your Nikon mount development. Make sure it's compatible with the tens of thousands of non-DX autofocus lenses, por favor. The focus tracking is highly appreciated, as long as it works with my lenses.
Hey Harry,
Go ahead and imagine it. LDS support means more demand for ARRI lenses. I am quite sure they were happy to get it on there..
Jay
There is something in those renders of the RED Electronic FF lens that nobody has picked up yet.... something that is actually pretty incredible ( and a first )
I bought Red 1590 and then 2000 out of the desire to use Red 1 on actual productions. We rarely ever use 2 camera but happily keep the 2nd to allow us never to fall fowl to camera problems.
Because of this it makes very little sense to take option 2.
I would love to take option 2 but I already bought our back up camera (another Red).
So basically we must wait till up to 6000 people get the option to expand their kit to include a back up camera before I get a Epic? Having to wait till later Red adopters who picked up a Red 1 AFTER it was proved production ready dosen't feel like it is the 'Red spirit'?
Is there any others troubled by this? What do you reckon is the answer? Take option 2 and offload the Red 1? Of loading a camera doesn't feel very loyal?
I feel that even though it is a mostly a win win situation we are left with a slightly lesser win.
I want Epic asap and have shot nearly exclusively Red since even before 1590 came. What to do?
regards
Michael
PS I'd feel sorry for some Red guy in the first 50 with 2 cameras having to wait till after me (1590 and 2000) before he could get his hands on a Epic.
PPS Apart from this one niggle everything else is very exciting (and it all feels realistic which makes me happy)
Hmmm...I'll make some guesses on that:
My guess is that the handle grip on the other side of the Gunner and lens has a powered servozoom unit that interfaces with the lens gears. This servozoom unit functions like the servozoom on a B4 2/3" HD EFP/ENG zoom, with multi-speed zoom rocker lever, start/stop switch, and a lever or button to switch between powered zoom and manual zoom capability. Most of this is on the other side of the render we can't see. The grip for the servozoom portion is the 45 degree handle (lower left side of render), which is adjustable to about any angle you need. This setup enables lightweight run n' gun shooting of motion and stills subjects, in a camera setup with the functionality of an EFP/ENG camera system...in short it is a true next generation hybrid motion and stills setup. This could effectively make any RED Electronic Lens a 3-Way Lens - stills and EFP/Hybrid when used with the Gunner/Servozoom, or manual cine when used without the Gunner/Servozoom unit.
Power and interface to the gunner and servozoom unit is supplied through the two cables that plug into the lower front of the camera. The Gunner houses electronics that help in AF functions - laser rangefinder, etc.
The above is all just purely my own guesses...I have no insider knowledge from RED on this whatsoever. If the above guesses are in any way accurate, I'm a way happy camper![]()
Hmmm...I'll make some guesses on that:
My guess is that the handle grip on the other side of the Gunner and lens has a powered servozoom unit that interfaces with the lens gears. This servozoom unit functions like the servozoom on a B4 2/3" HD EFP/ENG zoom, with multi-speed zoom rocker lever, start/stop switch, and a lever or button to switch between powered zoom and manual zoom capability. Most of this is on the other side of the render we can't see. The grip for the servozoom portion is the 45 degree handle (lower left side of render), which is adjustable to about any angle you need. This setup enables lightweight run n' gun shooting of motion and stills subjects, in a camera setup with the functionality of an EFP/ENG camera system...in short it is a true next generation hybrid motion and stills setup. This could effectively make any RED Electronic Lens a 3-Way Lens - stills and EFP/Hybrid when used with the Gunner/Servozoom, or manual cine when used without the Gunner/Servozoom unit.