rand thompson
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DJI RS2 + RED KOMODO | The Perfect Combo!? [Review]
By REDUSER MEMBER JOEY HELMS
By REDUSER MEMBER JOEY HELMS
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DJI RS2 + RED KOMODO | The Perfect Combo!? [Review]
By REDUSER MEMBER JOEY HELMS
Having never worked with Komodo footage, and not having worked with Red footage very much... I love my bmpcc 4k. It's everything I need in a camera, with a super fast and intuitive workflow. I think the colours are great. But no matter how good the footage looks in the end, there's always the first impression with the client when they ask what you're shooting on. Once you deliver the footage, or the final content, they're happy—but there's always the first impression. "We're paying you what to shoot with that?"
So I'm picking up my Komodo this morning, and I'm sure the RED workflow, global shutter, 6k, etc. will be a big step forward for me![]()
Not sure if a little cube shaped camera will leave a better first impression than a camera looking like what ever a BMPC camera looks like.
I think compared to most cameras clients have seen they both look like toys.
What you need is a LF studio with a Optimo zoom all mounted on a big Fisher dolly and a lot of people running around.
But no matter how good the footage looks in the end, there's always the first impression with the client when they ask what you're shooting on. Once you deliver the footage, or the final content, they're happy—but there's always the first impression.
In my experience and in my world (action sports) I don't mean what the camera looks like—I mean that it says RED on it. Most of my clients and prospective clients know the RED brand name, and they want the RED brand name. So even if the Blackmagic shot just as good an image, they don't know that till I've delivered the footage... which might be too late.
Red Komodo | The $6,000 6k RED Cinema Camera with AutoFocus!?
By Potato Jet