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Indie Features On Red - The List

Australian Feature shot on RED

Australian Feature shot on RED

Hi everyone,

We shot an independent feature on "Drop Bear" and "Hoop Snake" in Pemberton Western Australia in November of last year.
Check out our teaser in Full Screen High Res at www.bitterart.com
 
Check out DELIVERED - we're on Day 5 - brutal desert heat. Cooled the camera easily with two ziplock baggies stapled together and saddlebagged over the camera body. The first time the camera turned off, we put the bags on and kept refreshing the ice and with the 106 degree temperature, it never turned off again.
 
"Chikujo Seyo" - shot August/September/October 2008, screened June 2009.

"High Kick Girl" - shot October 2008, screened June 2009.

"Viva! Kappe" - shot July 2009, currently in post-production.

HTH

Paul
 
"Mahla" Mozambique 2009 Dir.Mickey Fonseca, DOP Antonio Forjaz, starts principal photograpy September 5'th.
 
mmm!
shooting a red feature at this very moment!
it involves mo-bots (mormons) and family values.
honestly not that exciting but at least it looks pretty good.
Standstrongmovie.com
 
LEGACY

Photography wrapped. Shot in Idyllwild, CA.

Single camera, RED 18-50/50-150/300 lenses. 4K 2:1 (framed for 2.40), 23.98 fps. B20.

Director Stephen Savage
Director of Photography Shawn Booth
 
Only Human

Shot October-December 2008, in post-production.

Director: David Swan
Director of Photography: Ryan Saunders

As simple a set-up as you'll find for a feature: Red Body, LCD, 4 Drives, 4 Batteries, Manfrotto Tripod.
 
Just wrapped "BAILEY" in Nashville, directed by Mario Van Peebles and starring Michael Clarke Duncan, Morgan Simpson, and Tom Skerritt. Blues-based character journey, requiring a lot of texture and striking imagery.

As cinematographer, I've previously lensed 17 features that were all shot on film. This was my first digital feature and my first RED project. Very happy with the results so far; excited to follow it thru post and beyond.

Build 20, 4k, 16x9 (framed for 2.40:1), 23.98 fps

Did some extensive testing before shooting, to learn the parameters of the "digital emulsion", and then worked on-set during production in a manner remarkably similar to my film-based projects: lightmeter and all. My only complaint during the show was the quality of the EVF. I miss my Panavision's optical ground glass!

As a side note: I voraciously devoured the info in these forums and the RED site's FAQs during my "research" phase of this project, and feel that they armed me with a great deal of knowledge. Thanks to RED and the many users here for being so open and articulate about all things RED!
 
The first Turkish feature shot on red

"40"

40thefilm.com
 
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