Solomon Nero
Well-known member
Fantastic news...You guys deserve it, congratulations all of the RED team! Keep it up! Don't stop there! (I know you wont) 
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You guys are going to freak when you see how good this stuff looks. Seeing a 4K projection is unbelievable.
Congratulations Jim, Jarred and the RED team, for building an awesome camera that's earning a great reputation in no time. Can;t wait to get mine, Jim, Jarred, when are you sending it to me? I have some awesome projects waiting-ready to be shot as soon as I get it! cant wait.So we were invited to see some Spiderman footage today at Sony. John Schwartzman was there and we talked a bit before going into the screening room.
"This is the best looking footage I have ever shot... these are the best images I have ever seen!" was his comment. I asked him if this was just his enthusiasm spilling out or if this was actually the case (pretty big statement). He thought for a few moments and said "No, really... this is the best footage I have ever seen from any camera. Ever."
So, with that, we went in. There was a Sony T420 projector (same as we have at RED Studios) in a grading room at Colorworks. We talked to "The Steve" (colorist) about his experience with the EPIC footage and opinion. He confirmed his opinion matched John's and we sat front row with huge expectations.
I have to say that we were all stunned. Shocked. So incredible. Not like RED ONE MX. Not like anything we had seen from another camera. Same resolution and feel of our new EPIC reel, but with actors and a story and Schwartzman's ability to light.
The consensus in the room (to a person) was that this looked like film. Like 65mm film. Better. Without any trace of film's blocky detail in shadows or grain. Jaw dropping.
EPIC is performing as it's name implies it should. We will keep John's comment close to us... to remind us how hard we need to work to never lose this position. We really like it.
Jim
4K is the reason I'm not so excited about theatrical viewings anymore (for the time being).