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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Holiday Update + IPP2 Preview Build

Rakesh Malik said:
That's the main reason I haven't gone back east. It's the mountains and the light.
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I lived in Alaska for about a dozen years...so I get it. I think anybody who does any landscape shooting should read Galen Rowell's Mountain Light.
 
Stacey Spears said:
Looks great! You shoot anything the day after NY? The sky and sunsets were amazing that week. That day, in particular, had blues and yellows I have not seen in a long time. We have had some wonderful golden sunsets the past two weeks. I went out last night and it was the one bad night. Figures!
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I ended up clouded in most of that week, so I didn't get much.

I see Starbucks HQ in the bottom.
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Starbux HQ is about 35 miles north of me... that's the view from my apartment in Tacoma. :)
 
Corey Benoit said:
Why is the reds blotchy? Look at the skin tone and EXIT sign. With LOG310. When I take LOG312 or anything else its fine. So the LUT and wide gamut are fine too. The LOG310 is causing it.

LOG310 with IPP2 is left (first picture), the Dragoncolor2 is right (picture 2)
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Interesting, because I'd venture to say that the Wide Gamut color looks far more realistic than the Dragon Color in your example, and the skin tones feel more lifelike. The muted reds in the Exit Sign seem like they're performing much closer to real life than the oversaturated red light in the Dragon Color version. Possibly just different tastes? I'm seemingly seeing things differently.
 
Scot Yount said:
I lived in Alaska for about a dozen years...so I get it. I think anybody who does any landscape shooting should read Galen Rowell's Mountain Light.
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Yep. When I was looking to escape from beltway bandit land (aka Washington DC) I ended up choosing Seattle mainly because of Art Wolfe's 7 Summits book.

One of my friends is aiming to climb all of Washington's stratovolcanoes this year, and I'm aiming to join him with my Epic-W so that we can document those expeditions.

I want to take another crack at The Brothers and Mt. Adams in particular... preferably earlier in the year when there's still a good snowpack. I did Adams in fall of 2015, and the snowpack was almost gone, so we didn't get to enjoy descending 3000 feet on the world-famous glisssade route.
 
Is there anyway to playback clips with the ipp2 lut applied to the playback? Sorry if this question has been answered a million times
 
Apologies if this is a rookie question or if its already been brought up, but is there a rmd file that has been created to load onto the camera so you can at least monitor the ipp2 look in camera?
 
Coming back the the rest of the holiday update re ramping up production; for a new Scarlet Order (well, start of December) what sort of timeframe are we now talking about from deposit to delivery?
 
Ben Scott said:
Coming back the the rest of the holiday update re ramping up production; for a new Scarlet Order (well, start of December) what sort of timeframe are we now talking about from deposit to delivery?
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I have been wondering the same thing I upgraded from a scarlet in December as well.
 
hey Corey i did my upgrade in feb 2016 an not heard a thing :( all very sad really glad i hadn't sold my camera yet

are you the same corey that did the scarlet vs blackmagic comparison?
 
How do we use the IPP2 LUT in Premiere Pro?

I have IPP2 Helium footage over at my post house and it's showing the Dragon Color 2. My editor is asking about using the IPP2 LUT and I haven't tried this yet.

Thx!
 
Travis Wears said:
How do we use the IPP2 LUT in Premiere Pro?

I have IPP2 Helium footage over at my post house and it's showing the Dragon Color 2. My editor is asking about using the IPP2 LUT and I haven't tried this yet.

Thx!
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Hi Travis,

I use FCP, but the workflow I imagine is similar - you have to change the metadata of the R3D to RedWideGamutRGB and 3G10. Then you can apply the IPP2 Preview LUT in the place where Premiere applies LUTs. FCP currently doesn't have 3rd party LUT support, so I use ColorFinale Pro.

It's been mentioned by Graeme that even if you shoot with IPP2, the metadata will show the older colorspace/gamma for backwards compatibility reasons.
 
Travis Wears said:
How do we use the IPP2 LUT in Premiere Pro?

I have IPP2 Helium footage over at my post house and it's showing the Dragon Color 2. My editor is asking about using the IPP2 LUT and I haven't tried this yet.

Thx!
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RED IPP2 in Adobe Premiere Pro CC

- Go to the clip's "Master" RED Source Settings under Effect Controls
- select REDWideGamutRGB as your Color Space
- select Log3G10 as your Gamma Curve
- add a Lumetri Color effect (found in Effects)
- In the Lumetri Color menu under Basic Correction load the desired 3D Lut Transform
 
Phil Holland said:
RED IPP2 in Adobe Premiere Pro CC

- Go to the clip's "Master" RED Source Settings under Effect Controls
- select REDWideGamutRGB as your Color Space
- select Log3G10 as your Gamma Curve
- add a Lumetri Color effect (found in Effects)
- In the Lumetri Color menu under Basic Correction load the desired 3D Lut Transform
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Phil, you are consistently awesome. Thanks for the detailed and helpful reply!
 
Phil Holland said:
RED IPP2 in Adobe Premiere Pro CC

- Go to the clip's "Master" RED Source Settings under Effect Controls
- select REDWideGamutRGB as your Color Space
- select Log3G10 as your Gamma Curve
- add a Lumetri Color effect (found in Effects)
- In the Lumetri Color menu under Basic Correction load the desired 3D Lut Transform
Click to expand...

Do you recommend applying the lut as the input lut for lumetri or the output/creative lut?
 
Tom Gleeson said:
If I select RWGRGB Colour space and the Log 3G10 Gamma curve on the camera are these baked in to the Proxy files as well?
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Currently no. However, the future is a mysterious clouded fog with electric bouncing through it. Anything is possible.
 
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