Vance Colvig
Well-known member
Just think of all the insurance money you will save on your Epic now that they are worth less. ; )
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Ok,
Look at it this way. An epic that's 2 months old. Approx 40k with basics.
Yea everything loses value, but an artificial devaluation of the value of a product by manufacturer puts that middle owner in a very tough spot. Because his camera is not only worth less than new at 40k, but its worth less than new @ 19k. So a barely used 34k body can only sell used for about 15k. That's the problem. For people looking at the equity of equipment as a value asset to make other moves in business, get the shit end of the stick.
For example, lets say in 6 months I wanted to sell my epic package for 30k and put it toward a set of ultra primes..... Well that's gone. Not because the market dictated but because of artificial factors.
This isn't a car. This is tool for many people to make a living. Though I guess to make an omelette some eggs have to get broken.
Just think of all the insurance money you will save on your Epic now that they are worth less. ; )
Just think of all the insurance money you will save on your Epic now that they are worth less. ; )
Hey Jeff,
I want to prove your theory wrong. Let Jim Jannard give me the first two Dragon sensor EPICs manufactured (and all the cool accessoriest first) and i'll document how it has affected my business growth. I have no talent whatsoever and this theory will be based on the fact that owning the equipment first... when it's most valuable and in demand is what's most important.
To have a few variables... don't let Ketch Rossi for example get the Dragon sensor and we'll see who gets the most work and makes the most money. Let the study have a one year duration. What do you guys say?
If you buy gear as a leveraging move towards selling it again and hop-scotching your way upmarket, then I would say that you are gambling. You just lost the bet.
I'm not talking 5 years Mitch. This is how I worked up to an epic. F3 to scarlet, scarlet to epic. Working my way up with clients and better paying jobs, but knowing I had a certain cash value tied up in my gear that I could free up for equipment updates. Granted I'm at the top of the heap gear wise for my purposes IMO , but I had that safety net in place to help me get there.
Ultimately shit happens, but for some I'm sure it threw a wrench in the works.
That said. My insurance costs will likely go down.... 15,000 less to insure.
Everyone should stop and realize something. In a few years time the EPIC will be a doorstop. So will the Sony F55, the Phantom Flex and anything else that's out there now. I know RED says "Obsolescence Obsolete" but that really means there is a trade-in/trade-up program to keep you moving forward.
I remember when Paramount closed its camera department and sold off all the old Mitchell cameras to Visual Products. It wasn't that long ago. By building replacement parts in their own machine shop they were able to keep those beasts running for 60+ years shooting sitcoms. Then came the F900 and those days were done. And they are never coming back.
RED is free todo what it wants to stay competitive or otherwise feels is proper business practice. You have to take care of yourself. Don't buy gear unless you know you can generate the work to pay it off. If it drops in value then it might take you a little longer, but you still know you can pay it off. If you don't know that you can do it with reasonable certainty, then don't buy the gear. That simple.
So ask yourself: If you were asked to place a bet, and 99% of the time the supermodel would jump your bones and screw your brains out, but 1% of the time swhe'd whip out a chainsaw and slice off your manhood, would you take that bet? If it worked out the first time, how many times do you try it again? Because eventually she will be pulling out the Black & Decker.
So ask yourself: If you were asked to place a bet, and 99% of the time the supermodel would jump your bones and screw your brains out, but 1% of the time swhe'd whip out a chainsaw and slice off your manhood, would you take that bet? If it worked out the first time, how many times do you try it again? Because eventually she will be pulling out the Black & Decker.
There's one of the best things said on this thread....instead of all the barking that leads to same old replies....
Mitch,
I'd like to like take exception on two points. 1st, the Epic will not be doorstop in five years. The ORIGINAL Red One is not a doorstop. It's an incredibly powerful and very useful camera even today. You mention the F900; well those are *still* being used. The F35 is hardly a doorstop, as it too makes amazing images.
Seond, I think ownership makes sense, even if you can't use the camera to pay for itself. That's b/c these cameras are so complicated that just having one and learning how to use it and post it almost requires ownership for inexperienced operators.
The smartest Red adopters were the early adopters, IMHO. They each put down a grand. And those who stayed with the company through the growing pains and triumphs are well ahead of the curve in terms of digital cinema in general and of course Red specifically.
I once had a C300 owner try to compare his 8 bit / 50 megabit/sec camera to my EPIC... they aren't in the market for a RED... they do weddings or events for a living.
This is absolutely true. I have been on $100K/day commercials where the camera of choice was a 5D. Sometimes this comes down to politics, sometimes the DP owns the camera and wants to shoot with it, sometimes it's just the better choice for that project. I've also been on projects where I felt the 5D/7D was simply the wrong choice. But I can tell you they do appear way more often than you think, are not limited to weddings/event gigs, and have probably made some people a lot of money due to the low investment or rental cost.Andrae, I've agreed with most every post of yours I've read except this one. There are a whole bunch of DP's out there shooting national spots on 5Ds (and laughing all the way to the bank), much less C300s. Specs aren't everything, and the vast majority of people can't tell the difference between a $3,500 DSLR and a $38,000... no, scratch that, $19,000 Epic. Has no one on this forum seen the most recent Zacuto Shootout? With a little color grading ALL of the cameras look great in the hands of DP's who know what they are doing, and even the most seasoned DPs have trouble telling the difference.
Analogy of the year!!As I said, you were gambling. Worked well for a time but eventually it will catch you one way or another.
So ask yourself: If you were asked to place a bet, and 99% of the time the supermodel would jump your bones and screw your brains out, but 1% of the time swhe'd whip out a chainsaw and slice off your manhood, would you take that bet? If it worked out the first time, how many times do you try it again? Because eventually she will be pulling out the Black & Decker.
Jeff, I've always just assumed you do some really cool S#it. Even though you never reveal the full details, the hints are enough to know that it's not run of the mill stuff. Maybe some day you'll write a book. I'd read it.