DaVinci Resolve 10

[Peter Chamberlain]

We are pleased to announce DaVinci Resolve 10. For those of you unable to visit us at the south hall of NAB here is a list of new features. This is a no charge upgrade for existing customers and will be available in Q3.
Peter


What's new in DaVinci Resolve 10

Resolve Live
• Grade Live incoming SDI video and save grading snapshots with metadata and stills

New Editing Enhancements for Project Finishing
• Multi track video and audio editing
• Extensive clip trimming support
• High quality optical flow image processing
• Static, lower third, scroll and crawl titles
• Compound clips
• Three point and four point fit-to-fill editing
• Transform, crop and opacity video effects
• Multiple Take selection
• Expanded XML and AAF roundtrip support
• Built-in generators for bars and test patterns
• Audio level controls with track mixing
• Matchframe linking for source and timeline viewers
• Stereoscopic 3D editing
• Media Pool list view now includes a filmstrip view

New Color Correction Enhancements
• Support for an unlimited number of industry standard OpenFX plug-ins per clip
• Unlimited Power Windows per node
• New Gradient Power Window
• Power Window presets to combine multiple windows
• PowerCurve Window freehand drawing and processing enhancements
• Copy and Paste of Tracking Data between Power Windows
• Power Window rotation available on the 4th trackball on the BMD control panel
• Motion Effects palette - In full version of DaVinci Resolve
• Chrominance control for Spatial noise reduction - In full version of DaVinci Resolve
• Temporal noise reduction - In full version of DaVinci Resolve
• Motion blur - In full version of DaVinci Resolve
• Enhanced blur with 10x range increase
• Contrast and pivot controls in 3-Way color and Primary palettes
• Split screen viewer display with SDI output
• CinemaDNG and ARRI Raw decoder options for half and quarter resolution
• Debayer and image scaling quality modes for systems with low GPU power
• Keyframe Timeline metadata now saved with Gallery Stills
• Drag and drop stills between Gallery pages
• Grab missing stills for all clips
• PowerGrades will now be append to the node editor with double click
• Enhanced Lightbox display with colour correction controls and SDI output
• Node based PTZR controls
• Corrector Node RGB/YUV selector for channel isolation
• Splitter and Combiners Nodes for single channel effects
• Optimized latency while grading complex node graphs
• Render Cache metadata is now saved with the project
• Global grade bypass for quick before/after grade review
• Auto Stabilization improvements to track shots with camera pans
• Additional External Matte Freeze and current clip settings
• Burn-in options for individual and global formatting and whether to display item labels
• User selectable LUT selection for GUI Viewer and Scopes
• Printer Light Hotkey grading
• Additional timeline filters to sort the colour and deliver timelines
• Keyboard shortcut to full screen viewer mode
• Media and Edit page viewer now includes a zoom to fit selector
• The switching clip selection now also in the node editor options menu
• Projects can now be arranged and saved within project folders for easy organisation
• Projects and project folders can be cut and pasted between project folders
• 3rd party panel improvements

Media Support Enhancements
• AVI clip decoding
• JPEG 2000 decoding
• Viewer display with side-by-side audio waveform or VU display options
• Auto Sync of Dailies audio and video using matching time code
• Edit clip metadata concurrently with audio and video sync
• User definable preset list of metadata to be displayed on screen
• Log ACES support
• Sony Slog2 IDT for ACES
• Canon C500 IDT for ACES
• Additional Media Pool fields for clip metadata includes shot, scene, take, angle, circled and camera roll #

Deliver Enhancements
• Audio tracks are now displayed in the timeline with video clips
• Audio VU meters with dBu and VU range selection
• Additional render option to JPEG 2000 for DCP generation
• Additional render resolution templates
• Render settings now include optional render job version name
• Integration with easyDCP using license purchased from EasyDCP (Available for Mac and Windows)

General Enhancements
• OpenCL support for multiple AMD GPUs on Windows
• Menu bar support on Linux
• Linux CentOS 6.3 support
• General performance and stability improvements

 

[Hrvoje Simic]

Excellent, hats off.
Expect a bunch of suggestions...

 

[Bruce Allen]

YAAAAAAAAAY!

[will insert more coherent expression of joy here later]

Bruce Allen
www.boacinema.com

 

[Ketch Rossi]

An impressive list, now all we ned is a NEW MacPro...

 

[Peter Proniewicz-Brooks]

Any idea when we can get our hands on the precious?

 

[Matt Gottshalk]

An impressive list, now all we need is a NEW MacPro...

Crickets......

 

[Luis Otero]

Great to see OpenFX plug-ins and integration for DCP authoring, but only for EasyDCP...? It may be a good software, but their prices are out-of-touch with current competitors.

 

[Matt Ryan]

Peter,

It says JPEG 2000 decoding, does that mean RED Playback real time without a Rocket?

 

[Sergio Perez]

I think i can skip fcp, premiere and avid. This looks to be it...

 

[David Kellermann]

Sure looks like many awesome new features. Can't wait to try it out :smile:

 

[Hrvoje Simic]

Checking the NLE...yup.
Looks proper.

 

[Doug Beatty]

Free update, BMD is really kicking butt at NAB. Excited to see what the new Temporal NR can do.

 

[joe hedge]

Love to se a photo of the Live interface if anyone has one...

 

[Joel Arvidsson]

Great news, the only "backdraw "is the available in Q3.

 

[Kevin Marshall]

So I found this buried on the Compare page on BMD's website: "Separate debayer and sizing options play vs. stop for low GPU powered systems"

So this sounds like Premiere's paused vs play resolution. This is fantastic for people like me who don't have a Rocket, so I'm not constantly switching between debayer quality for real time vs. detail visibility.

 

[jake blackstone]

I think i can skip fcp, premiere and avid. This looks to be it...

The editing portion of Resolve is to accommodate users wishing to finish in Resolve. Hence the high level finishing tools, like OFX, motion flow, temporal Noise Reduction! etc. I don't think BM intent is to replace a standard NLE used in a traditional editing.

 

[Eric Santiago]

Unless it has star wipe, it aint a real NLE

 

[Patrick O'Sullivan]

What are the chances DR 10 opens up the mapping on the Tangent Panels?

 

[Antoine Baumann]

Unless it has star wipe, it aint a real NLE

LOL, sure George sure!

 

[jake blackstone]

What are the chances DR 10 opens up the mapping on the Tangent Panels?

It hasn't happen so far, but to be fair, contrast and pivot had been finally mapped out to all panels and for the first time ever, today, I had been told, that log control (offsets) mapping may actually happen too...