Tom.Wong
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this is why i'm hoping fcp 8 will have full dpx and open exr support. you'd bypass quicktime all together and not deal with its drama. keep in mind too, what you see in your FCP canvas may not look the same on the file that's exported either.
I think the best way to see if it will look right is, export your qt file from resolve, BM uncompressed or anything else along those lines to keep your full range values that you graded for on your projector. I assume it's on p3 settings or something along those lines.
bring it into FCP, and hook it up to the projector to see how it looks.
finally to put the nail in the coffin, if things look good on your projector monitoring out of FCP, and it just doesn't look right on the computer, than you should be good, but as a final, I'd export out of qt, convert it to DPX (which is what you'll need to do to go to film or DCP anyway) and bring that back into resolve and look at it on your projector again.
It sounds long and stupid but that's the only practical way to see what your image will look like, on a projector, after all those generations. If it looks right to about right by the time you hit the projector on DPX with those full range values. It should be close to spot on when it goes to the film out.
I think the best way to see if it will look right is, export your qt file from resolve, BM uncompressed or anything else along those lines to keep your full range values that you graded for on your projector. I assume it's on p3 settings or something along those lines.
bring it into FCP, and hook it up to the projector to see how it looks.
finally to put the nail in the coffin, if things look good on your projector monitoring out of FCP, and it just doesn't look right on the computer, than you should be good, but as a final, I'd export out of qt, convert it to DPX (which is what you'll need to do to go to film or DCP anyway) and bring that back into resolve and look at it on your projector again.
It sounds long and stupid but that's the only practical way to see what your image will look like, on a projector, after all those generations. If it looks right to about right by the time you hit the projector on DPX with those full range values. It should be close to spot on when it goes to the film out.