but here's the big question, if the mount is actually quite simple to install, why are camera's going back to RED fried after the birger is installed? As far as I know, the procedure has been exactly what has been described since day one, PL mount off, birger mount on, don't pinch the cable, collimate. (I'm not angry or whining, just wondering)
I e-mailed amy to ask her to ship mine right away. I wonder how long that will take? But I think I'll install it and use it as a dumb mount for now and take my chances. I need to be shooting now. But I do wonder if they really will be shipping in a few days. If not, I'll have to get in line at the RED store for a nikon mount. I wish we could hear more from someone what exactly was the problem and what was voiding the warranty.. what happens when the back of the PL mount comes off that's different then the front? Is it like feeding mogwai after midnight? What happened to the dead REDs? How much did it cost to fix? I can shoot on a dumb mount with a fried aux power, but I can't shoot on a bricked camera. Please someone give us more information so we can plan solutions. I think for me the solution is selling all my canon glass (and I have a fair amount) my 5D and switching to nikon. The sting of that is slightly lessened by the nikon d700 which looks lovely. It's just a royal pain since I've been collecting canon glass for this since last year when this was announced.
I e-mailed amy to ask her to ship mine right away. I wonder how long that will take? But I think I'll install it and use it as a dumb mount for now and take my chances. I need to be shooting now. But I do wonder if they really will be shipping in a few days. If not, I'll have to get in line at the RED store for a nikon mount. I wish we could hear more from someone what exactly was the problem and what was voiding the warranty.. what happens when the back of the PL mount comes off that's different then the front? Is it like feeding mogwai after midnight? What happened to the dead REDs? How much did it cost to fix? I can shoot on a dumb mount with a fried aux power, but I can't shoot on a bricked camera. Please someone give us more information so we can plan solutions. I think for me the solution is selling all my canon glass (and I have a fair amount) my 5D and switching to nikon. The sting of that is slightly lessened by the nikon d700 which looks lovely. It's just a royal pain since I've been collecting canon glass for this since last year when this was announced.