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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Atlas Lens Co. - Orion Series 2X Anamorphic Prime Lenses

H2Oi 2018 Official After Movie

By Krispy Media

About an hour and three minutes long


Published on Feb 10, 2019
Get Krispy Merch+Limited 1/200 Poster:
https://krispy.store/collections/prin...
Here it is! This years official after movie! My most anticipated film each year from the best multiple day event of the year! H2Oi just feels like home for me. It really does not get better than the few days we spend down there each year and its because of not only all my friends but a ton of you guys being there as well, so thank you for that. This year I decided to switch things up a bit and rent out a set of Atlas Orion Anamorphic lens to play around with. I love the vibe they brought to this after movie and to Ocean City's sites and sounds. This was also my first H2Oi with my Red so I took advantage of my new slow mo capabilities to the fullest extent. Thank you guys so much for watching and I hope you enjoy this years 1 hour long After Movie!

Follow me on iG:
http://Instagram.com/krispy

Music Used In Order Of Appearance:
https://soundcloud.com/murphy-u/murph...
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https://soundcloud.com/nightowlcollec...
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https://soundcloud.com/charliemakesmu...
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https://soundcloud.com/uglyfxck/homes...
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https://soundcloud.com/uglyfxck/prod-...
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https://soundcloud.com/ametrine/borea...
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https://soundcloud.com/softpowderband...
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https://soundcloud.com/memphisbeats/t...
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https://soundcloud.com/liamtree/tekas...
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https://soundcloud.com/tainsus/unknow...
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https://soundcloud.com/mhredox/next-time
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https://soundcloud.com/joshuabloodwol...
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https://soundcloud.com/drettypope/20o...
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https://soundcloud.com/augustsoren/apt-b
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https://soundcloud.com/flchanmusic/gone
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https://soundcloud.com/vagrant/fuzzy-day
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https://soundcloud.com/yvno/dream-home
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https://soundcloud.com/untitledburial...
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https://soundcloud.com/prodkaori/mean...
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https://soundcloud.com/nocopyrightsou...
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https://soundcloud.com/hanutmunson/ai...
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https://soundcloud.com/nocopyrightsou...
 
Last edited:
新年，快乐

Directed by Nicholas Chin
Screenplay by Michelle Lee

Shot on RED Gemini and Atlas lens Co 65mm T2

 
Kinefinity MAVO 6k S35 CMOS

By Tathagata Mukherjee



Published on Feb 7, 2019
MAVO as flagship camera of Kinefinity, achieves super organic and low-noise images with high dynamic range, stunning details. For ProRes, it records Apple ProRes format up to ProRes4444XQ.

Cameraman: Sean Conley, Qingqing Liu, Raafi;
Location: Las Vegas;
Camera: MAVO, S35 6K 6:5,
ISO 800/1600;
Lenses: Atlas Orion 40mm

Footage download links :
https://www.dropbox.com/sh/8wpzqy1sdg...

Buy the MAVO basic bundle here: http://www.kinefinity.com/shop/mavo_p...

Shop Kinefinity here: https://www.proav.co.uk/kinefinity

Spend more time with me:
WEBSITE/BLOG: http://tmcine.com
INSTAGRAM: https://www.instagram.com/trip.van.wi...
CONTACT: tanmukh@gmail.com

Follow our Films :
https://www.gummybearfilms.com
 
Three Trailers by Reduser member Matt Devino for a short Horror film " Feed Me Death"

Confirmed by Matt to be entirely shot on Atlas Orion Anamorphic Lenses.

FEED ME DEATH | Short Horror Film | Teaser Trailer 1

During a brutal home invasion, Casey is almost killed, but a mysterious entity appears and offers to keep her alive - but at what price?

Written and Directed by Matt Devino
Created by the Assorted Kinds Film Collective - assortedkinds.com



FEED ME DEATH | Short Horror Film | Teaser Trailer 2

During a brutal home invasion, Casey is almost killed, but a mysterious entity appears and offers to keep her alive - but at what price?

Written and Directed by Matt Devino
Created by the Assorted Kinds Film Collective - assortedkinds.com



FEED ME DEATH | Short Horror Film | Teaser Trailer 3

During a brutal home invasion, Casey is almost killed, but a mysterious entity appears and offers to keep her alive - but at what price?

Written and Directed by Matt Devino
Created by the Assorted Kinds Film Collective - assortedkinds.com

 
Atlas Orion Anamorphics Lens Test 40mm, 65mm, 100mm shot on ARRI Alexa XT Plus

By Markus E. Mueller



REC709 LUT
Cinematographer Markus E. Müller
markusemueller.com
Atlas Orion Anamorphics
Rental AVBaby Graz
 
rand thompson said:
Atlas Orion Anamorphics Lens Test 40mm, 65mm, 100mm shot on ARRI Alexa XT Plus

By Markus E. Mueller



REC709 LUT
Cinematographer Markus E. Müller
markusemueller.com
Atlas Orion Anamorphics
Rental AVBaby Graz
Click to expand...

It's an odd test for anas as vinjeting / focus falloff towards the edges is a big thing to look for as well as lens distortion. All difficult to judge if shooting against a black background without vertical or horizontal lines. But I guess they look more for color rendition in the given light, then pitch black surrounding is a good thing.
 
Björn Benckert said:
It's an odd test for anas as vinjeting / focus falloff towards the edges is a big thing to look for as well as lens distortion. All difficult to judge if shooting against a black background without vertical or horizontal lines. But I guess they look more for color rendition in the given light, then pitch black surrounding is a good thing.
Click to expand...

Bjorn,

Yeah, I guess this was maybe just a skin tones and color accuracy testing of the lenses.
 
Makers & Growers - Vollwerth Meats -Meijer


By Wesley Kabakjian



Shot on location in Michigan's Upper Peninsula
Director - Steve Pearson
Director of Photography - Wesley Kabakjian
Producer - Danny Smight
Writer - Danielle Page
Audio - Chad Horn
Post Producer - Danny Smight
Editor - Chloe Yi
Color - Steve Pearson
Music Composer - Ben Winwood
Production Company - GET Creative
Shot on Alexa Mini with Atlas Orion Anamorphic Lenses
Check out the full article! - usatoday.com/story/sponsor-story/meijer/2018/09/11/why-locals-swear-century-old-sausage-company/1194174002/
 
ALLDAY - WONDER DRUG


By YHELLOW




ALLDAY - Wonder Drug
Client: Ultra Music
Production: Yhellow
Directed and DP by Me
Producer and Art Director: Bailey Gerdy
VFX Supervisor: Stefano Passera
Shot with RED Helium 8k and Atlas Orion Anamorphic
 
DIMITRI VEGAS & LIKE MIKE feat ERA ISTREFI - SELFISH


By YHELLOW


Dimitri Vegas & Like Mike feat Era Istrefi - Selfish
Client: Sony Music International
Agency: YHELLOW
Directed and DP by Me
Producer and Art Director: Bailey Gerdy
Production Coordinator: Marco Massa
VFX Supervisor: Stefano Passera
Choreographer: Eight & One Productions
Stylist: Justin Lynn
HairStylist: Mariama Dashiell
MUA: Samuel Rauda
Crane Operator: Imad Rhayem

Shot with RED Helium 8k and Atlas Orion Anamorphic
 
When it Rains and You Can’t Ride Your Bike - Atlas Orion Anamorphic Test


By Gabriel Bienczycki



Atlas Anamorphic 40mm
 
https://youtu.be/IRQGcihVStU


Ursa Mini Pro with Atlas Orions
mixed with
Alexa Mini with Panavision T-Series Anamorphics

Producer: Morgan Gold
Director: Michael Maxxis
DoP: Cale Finot
Color: Katie Jordan
 
Last edited:
sonnen USA 2018



By Brian French




Client: sonnen USA
Production Producer: Kyle Vines
Production Company: Name Brand
Director: Zack Millsaps
DP: Brian French
Gaffer: Shane McMullin
Grip: Ben Maciejack
Grip: Adam Daughhetee
Editor: Zack Millsaps
Catering: Hannah Millsaps

Shot on Arri Alexa Mini, Atlas Orion Anamorphics (40mm, 65mm, 100mm)
 
Brown with Blue



Short film
Director: Christian Nolan Jones
Producer: WhenSmokeClears - USA
Starring: Patrick Cage, Zoë Soul, Curtis Cook Jr
Year: 2019

Alexa Mini with Atlas Co. Orion Anamorphic


The death of a relationship.

starring Patrick Cage, Zoë Soul, Curtiss Cook Jr., Corey Champagne & ReGina Niccole
directed by Christian Nolan Jones
cinematography by Daniel Anguiano
written by Dominick A. Cormier & Christian Nolan Jones
produced by Shannon Ousley, Zoe Munlyn, & Gil Taveras
executive produced by T. Popps & O. Valerie Nicolas
music - "Midnight Blue" by Adrian Younge
 
Hi

We had a demo set of these lenses in the other day and even though I was blown away by their material value I was left wondering. The 65 and 100 where full of charector and really easy to put to work and and bit of a steal.... however the 40mm was a mess. I took to my lens guy and felt (lots of ana experience) that it was not setup correctly. Even throwing out the back focus on the projector and then refocusing the barrle made some small improvement (really not sure i understand why?)

So my question... do any of you have a 40mm as easy to use (or even as good) as the 65 and 100?... I am down for a set with a dealer very soon but I would struggle to work with the 40mm if that is how it is!?

Now before anyone suggests that is just what anamorphics are like I do understand the subjective nature of ana character.. and don't expect T2 sharpness or even lens to lens consitancy seen in modern spherical primes... I have a very particular SF Cooke ANA on my monstro at the min and it is full of interesting aberations and lots of very usable fun...

for one thing The 40mm we quickly looked at just doesn't seem to make any atempt to bring the different wavelengths into focus anywhere near each other....now the axial CA was predictably all over the place on all the lenses but nothing seemed right about 40mm...

Hopefull it had been droped or something? What are others looking at with their 40s..? is it the worst of the 3 current lenses?
 
Your 40mm sounds like it might have been whacked or "reshimmed" by someone who doesn't understand how these lenses are back focused.

Can you bring it in to our Burbank shop or have it sent in to us ? That's just not how it should be.

as for adjusting the back focus and then refocusing - yep - that means your back focus is not set right.

If your camera's back focus is not set right, or the lens is not set right, you will get the same results.

We collimate people's DSMC1/2 cameras for free at our Burbank shop using a Denz FDC - THE standard for setting back focus on a lens mount correctly.

The wide lenses are more sensitive to correct back focus - a 40mm is a 20mm horizontally, so that's something to consider when thinking about wides and collimation.

In any case - please send or bring in that lens, or let whoever owns it know they can/should do that.

thanks!

info@atlaslensco.com is best for setting up a checkup / collimation.
 
Hi Dan

Thanks for responding. Unfortunately I am in London. It definitely wasn’t just back focus as we could compensate for this on the projector and it still was not right (but it was a little better). I am glad you think it was definitely ‘wrong and def fixable’... I am going to switch to PM if you don’t mind as this is probably not of much interest to anyone else.

Thanks

Ps I still would love a confirmation from other Atlas owners that they have good 40mm examples.
 
Hi Michael,
My 40mm has been on a camera chart and reviewed by a leading rental house in Toronto. We are quite impressed.

Will be shooting with it soon.
 
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