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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

ARRI 4K Super 35 Camera Will be Launched Next Month

ARRI ALEXA 35: ARRI RAW, Skintones, LOG/LUT, 75 + 120 fps ...



By Slashcam



TEST: ARRI ALEXA 35 IN PRACTICE: 17 STOPS DYNAMIC RANGE, REVEAL COLORSCIENCE, ARRI RAW, 120 FPS AND MUCH MORE.​



Chrome automatically translated this German Article to English

Article
https://www.slashcam.de/artikel/Tes...al-Colorscience--ARRI-RAW--120-fps-uvm--.html





Slashcam's previous test of the Arri Alexa 35



TEST : ARRI ALEXA 35 SENSOR IMAGE QUALITY, ROLLING SHUTTER, DYNAMICS - THE NEW REFERENCE?​



Article
https://www.slashcam.de/artikel/Test/ARRI-ALEXA-35-Sensor-Bildqualitaet--Rolling-Shutter--Dynamik---Die-neue-Referenz-.html
 
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NiSI Athena 25mm T1 9 Lens Test


bY
DeHaven Camera






ARRI ALEXA 35 USED FOR THIS TEST
 
Supporting Tools & Software ALEXA 35
ALEXA 35 Supporting Tools & Software (arri.com)

JULY 24, 2023


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ARRI Signature Zoom Showreel “Zoom around New York”


By
ARRIChannel







Image quality like prime lenses, but they’re zooms? See New York City through our two most extreme Signature Zooms, the 65-300 and 16-32. Photographed and narrated by lens product specialist Art Adams. Captured with ALEXA 35.
 
LIGHTHOUSE FILMS & ARRI Alexa 35 DEMO


The video doesn't start to damn near the 36:44 minute mark of a 2:08:59 hour long video.


By Lighthouse Films


 
ARRI Alexa 35 & Atlas Orion Anamorphic Lenses Showcase


By
Arturo Madrazo



 
"ALEXA 35 Bring Your Own Lenses" Teaser - Zeiss Supremes, Cooke Anamorphic, ARRI Signature Primes


By
Visual Impact





A small taste of all the fun we had last week during our ALEXA 35 special event with some of the most gorgeous cine lenses around including:

- Cooke S6 Anamorphic
- Zeiss Supreme Radiance
- ARRI Signature Primes and Zooms
- and more!
 
Nicolette Taylor - Heatwave MUSIC VIDEO (Alexa 35)


By
Joe Bressler



 
David

Here is the workflow I mentioned to you on Lowepost of how to make a ALF-4 compatible Look file for the Alexa 35 from the Ravengrade DCTL .


Color Management Settings



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The Look And How It Was Made


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I used ACES as the Intermediate Color Space for better and more accurate results. I used "AWG-4/ALC-4" for both the "Input" and "Output" "Color Space" to make sure that the Ravengrade Look adhered to the "LOG-To-LOG" requirements to make the "ALF-4" File from.



Input CST( Color Space Transform)

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RavenGrade DCTL


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Output CST( Color Space Transform)


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Next, I added the "ARRI_LOGC-4-to-Gamma24_Rec709-D65_v1-65" Lut to transform the "AWG-4/ALC-4" image to "Rec709 Gamma 2.4".I mis-labeled the node, it should have been "AWG-4/ALC-4 to Rec709"


"ARRI_LOGC-4-to-Gamma24_Rec709-D65_v1-65" Lut

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Then I "Disabled" the"ARRI_LOGC-4-to-Gamma24_Rec709-D65_v1-65" Lut so that the Ravengrade Look will have the net effect of a "LOG-to-LOG" "AWG-4/ALC-4 to AWG-4/ALC-4" format to make a "ALF-4" look file from for the Alexa 35.

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Now "Right-Click" on the thumb of the graded clip and select "Generate Lut" to create a Lut to make the "ALF-4" file from. I selected the "65 cube size" option since the Alexa 35 can handle it internally.

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The Arri Reference Tool


Inside of the Arri Reference Tool, I Imported the AWG-4/ALC-4 file I used inside of Resolve.

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Now go to the "LOOK" Header at the top of the menu. Then the "Color Grading" area then to "3D Lut" to select the "Kodaky Look 2" "AWG-4/ ALC-4" "Log to Log" compatible lut to make an "ALF-4" look file from


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Finally, at the top of the menu, go to "LOOK" then to the "Export Look File" icon shown below give the Look file a name and you are done.


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"Kodaky" applied to the "Helen and John" "AWG-4/LOGC-4" "Reference" Image.


Before

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After

"Kodaky" ALF4 Look File was applied in the ARRI Reference Tool ( The saturation I used can be brought down in the grade that I used)

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Without "Kodaky"

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With "Kodaky"

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Grade from Resolve


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ALF-4 Look in the Arri Reference Tool


Arri-Reference-Tool-Snapshot-20231008-190019.jpg





Here's the "Kodaky Look 2" (Log-To-Log) Lut I made in Resolve with Ravengrade and the final "Kodaky" ALF-4 look file. I just pulled the grade out of my A** as a sample look so....


SendGB Link
https://sendgb.com/QqZFRsiWm89


I also include a Video With two Sample clips with the "Kodaky" Look applied to them as well.

 
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Using Timecode with the ARRI ALEXA 35 / Mini LF and Wireless PRO


By
RØDE



 
Alexa 35 v 35mm


By Kai Dickson

https://vimeo.com/869671452




In soft-preparation for a project, I was curious to put my Arri IIC next to an Alexa 35 to study the difference.

Arri IIC
Ultra primes
5219 +1 Stop

Alexa 35
Signature Primes
G733 Nostalgic Texture

Dir - Joshua Okwuosa
DP - Kai Dickson
Lighting - Jonah Krier
Loader - Nic Huey

Processed at Kodak ATL
LUT by Justin White - Company 3 ATL
 
Fashion Spec shot on ARRI Alexa 35


By Josh Herum



 
a Parkinson's Disease Film (shot on ARRI ALEXA 35) | More Than You Can See



By
Derek Lamoureux







"We shot this film on the ARRI ALEXA 35 paired with the Atlas Mercury 1.5x Anamorphic lenses."
 
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