ARRI 4K Super 35 Camera Will be Launched Next Month

[rand thompson]

Arri Alexa 35 Over/Under Exposed from the "Arri35 TEST OVERTURE Parte I" video above.

OVER

Arri Alexa 35 Base

Arri Alexa 35 +1 Over Exposed

Arri Alexa 35 +1 Over Exposed Compensated

Arri Alexa 35 +2 Over Exposed

Arri Alexa 35 +2 Over Exposed Compensated

Arri Alexa 35 +3 Over Exposed

Arri Alexa 35 +3 Over Exposed Compensated

Arri Alexa 35 +4 Over Exposed

​​​​​​​Arri Alexa 35 +4 Over Exposed Compensated

Arri Alexa 35 +5 Over Exposed

​​​​​​​Arri Alexa 35 +5 Over Exposed Compensated

Arri Alexa 35 +6 Over Exposed

​​​​​​​Arri Alexa 35 +6 Over Exposed Compensated

Arri Alexa 35 +7 Over Exposed

​​​​​​​Arri Alexa 35 +7 Over Exposed Compensated

Arri Alexa 35 +8 Over Exposed

​​​​​​​Arri Alexa 35 +8 Over Exposed Compensated

UNDER-(Only to -6 Under)

Arri Alexa 35 Base

Arri Alexa 35 -1 Under Exposed

​​​​​​​Arri Alexa 35 -1 Under Exposed Compensated

Arri Alexa 35 -2 Under Exposed

​​​​​​​Arri Alexa 35 -2 Under Exposed Compensated

Arri Alexa 35 -3 Under Exposed

​​​​​​​Arri Alexa 35 -3 Under Exposed Compensated

Arri Alexa 35 -4 Under Exposed

​​​​​​​Arri Alexa 35 -4 Under Exposed Compensated

Arri Alexa 35 -5 Under Exposed

​​​​​​​Arri Alexa 35 -5 Under Exposed Compensated

Arri Alexa 35 -6 Under Exposed

​​​​​​​Arri Alexa 35 -6 Under Exposed Compensated

​​​​​​​

 

[rand thompson]

Nuke 15.0 & 14.1 | File format SDK updates




By Foundry

To maintain pipeline efficiency & flexibility it is vitally important to keep our RAW camera and file formats support up to date. In this release, we have further improved our support for the new ARRI Alexa 35 camera, with the ability to read files in the HDE format and we also updated the HDE SDK to the latest 4.0.3
As can be seen here we have also updated the ARRI IMAGE SDK to the latest 8.0
There has been a minor update to EXR files to 3.1.6 and we have updated the Avid DNx libraries to the latest version 2.7.3, this update will ensure compatibility and good file exchange between the latest versions of Avid media composer and Nuke.
We have also updated our identification, and in some cases decoding, of all .mxf files. Generally the changes associated with this update are not visible to the user, but this does enable us to support all file formats on the macOS ARM platform
Finally for Nuke 15.0 only we have deprecated the use of the old ARRI 6.2.3 SDK and now use the new ARRI IMAGE 8.0.0 SDK for all ARRI files, including legacy files, keeping historical files usable in Nuke for the foreseeable future

 

[rand thompson]

Optiktest_TKJIB_Ludw2022_09.mp4


By Jonathan Ibeka


https://vimeo.com/756549504

Cameras: ARRI Alexa35 + MiniLF

Lenses:

(1) Caldwell Chameleon 1.79x Anamorphic Lenses
(2) Tribe7 BLACKWING7 T-Tuned Primes (spheric)
(3) Angenieux Optimo Primes (spheric)
(4) Dzo Films Vespid Primes (spheric)
(5) Kowa 2x Anamorphic Lenses P/S Rehouse
(6) Kowa Evolution 2x Anamorphic Lenses
(7) Cineovision 2x Anamorphic Lenses
(8) Lomo 2x Anamorphic Lenses

Settings:

ARRI Alexa35 + MiniLF:

I SO 800 PRORESS 4444

active sensor pixel (within 2:1 frame leader):

Alexa35

spheric: 4608*2304 (4,6K 16:9)
1,8x squeeze: 3516*3164 (4,6K 3:2)
2,0x squeeze: 3164*3164 (4,6K 3:2)

Alexa MiniLF:

spheric: 4448*2224 (4,5K LF 3:2 OG)

 

[rand thompson]

Eon's Echo | Award-Winning Short Film Created Entirely in 48 hours (2023)


By
Maxence Cazorla

Filmed on Location in Paris, FRANCE
Camera ARRI ALEXA 35
Lenses COOKE ANAMORPHIC

 

[rand thompson]

Leather ASMR - Starter Equipment Series: Bard Wallet


By Mythic Forge

Camera: Arri Alexa 35 Cinema Camera
Lenses: Arri / Zeiss Ultra Prime Lenses
Lights: Astera Titan Tubes

 

[rand thompson]

1670 - Full Trailer


By Nils Croné, FSF

[url]https://vimeo.com/882015601

[/URL]


Alexa 35 & (modified) Arri Master Primes

 

[rand thompson]

DP Christopher Blauvelt on filming "May December" and his experience with ALEXA 35​

By
ARRIChannel

Watch an exclusive behind-the-scenes interview with cinematographer Christopher Blauvelt as he discusses the use of ALEXA 35 in the filming of "May December." Directed by Todd Haynes and starring Natalie Portman and Julianne Moore, this black comedy-drama explores the human tendency to avoid self-reflection.

"May December" premiered at the 2023 Cannes Film Festival and has a special screening at the Camerimage International Film Festival. The film will be available on Netflix from December 1.

 

[rand thompson]

Conversations with a Killer | Alexa 35​

By
Story Lit Films

Shot on Alexa 35 and Tokina Cine Vistas, lit with Nanlite

 

[rand thompson]

Lomo Round Front Anamorphic Rehoused Lens Test​

By
2.39 Rental

Lomo Round Front Anamorphic Rehoused
Focal Range: 40mm/50mm/75mm/100mm

Elite Anamorphic
Focal Range: 135mm

Shot on ARRI Alexa S35
Full open aperture

 

[rand thompson]

DP Philippe Le Sourd on using ALEXA 35 for capturing "Priscilla"​

By

ARRIChannel

 

[rand thompson]

2023 | NU SKIN - Joey x Shawn // Produced by Futari​

by Dave Cheung Cinematography

Camera:
- ARRI Alexa 35

Lenses:
- SONY PK6 20 / 25 / 35 / 50 / 85 / 135mm T2

 

[rand thompson]

BY RGB Rental​

​

​

ARRI ALEXA 35 vs ALEXA Mini Low Light Test Side-by-Side​

ARRI ALEXA 35 Reveal Color Science vs ALEXA Mini Color Science​

ARRI ALEXA 35 Textures in Rec 709 - K445, G773, G522, F578, L345 and P425​

 

[rand thompson]

ARRI ALEXA 35 RAW | TEST FOOTAGE & COLOR GRADING |CINEMATIC VIDEO​

By

LEVCHENKO FILM

 

[Zack Birlew]

You know, Linus Tech Tips just did a video on the Alexa 35 and I felt a little bad that they had trouble telling the difference between it and the Sony FX6! I guess it shows that digital cinema cameras aren't for everybody and it really depends whose hands they are in to get the most out of them. It also shows that Sony is really on the ball with their new cameras and I'm eager to see where Arri and Sony go from here.

 

[rand thompson]

You know, Linus Tech Tips just did a video on the Alexa 35 and I felt a little bad that they had trouble telling the difference between it and the Sony FX6! I guess it shows that digital cinema cameras aren't for everybody and it really depends whose hands they are in to get the most out of them. It also shows that Sony is really on the ball with their new cameras and I'm eager to see where Arri and Sony go from here.

Thanks Zack for the Linus Alexa 35 Info! Yeah I think it all comes down to who is using the camera and their knowledge on how to get the best from that camera.

 

[rand thompson]

You will not convince me to buy this - ARRI ALEXA 35​

By

ShortCircuit

 

[rand thompson]

RGC | Gambling School​

By Grant Cooper

Shot on my Arri Alexa 35 with Hawk V-Lite Anamorphic Primes

 

[rand thompson]

17 Cinema Lens Test @ Hawk London - Arri Alexa 35 & Sony Venice 2​

By

Thomas Shawcroft

 

[rand thompson]

TLS Super Baltar | ALEXA 35 Lens Test​

By OLD FAST GLASS

Quick Lens Test pairing our TLS rehoused Bausch & Lomb Super Baltar lens set with one of our ARRI Alexa 35 cameras.

Camera - ARRI Alexa 35
Format - 4.6K Open Gate
ISO - 800
WB - 4300K

Cinematographer - Kyle Stryker

 

[rand thompson]

By
Ben Halford

​

​

Arri Alexa 35 - S16 Mode - Arri Ultra 16s​

Again, sorry for no lens data.
Thoughts: lovely, sharp and fast set for digital s16 shooting.
Clean and all lenses match nicely.
Also, upres to 4K is very easy and still looks great.

Arri Alexa 35 - S16 Mode - Angenieux​

Little test with the Angenieux 11.5-138mm S16 Lens on the Arri Alexa 35.

Things to note: Lens needs a service/collimation.

Parfocal works from 138 down to about 30mm but
then looses focus.

Lens also blooms at 138mm wide open, this goes at T4 or if the lens is at 95mm or below.

This lens also vignettes on close focus, to get around this I used a +1 diopter which throws the parfocal out completely, so some zoom outs look very soft, however it does allow you to get extremely close.

Very sharp lens especially on the longer end considering it's on the s16 crop mode.

Arri Alexa 35 - Leica R Lens Test​

Camera: Arri Alexa 35
Lenses: GL Optics: Leica R 19mm v2, Leica R 35mm Cron & Leica R 50mm Cron