Tom Greenberg
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- Oct 25, 2009
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- Grand Rapids, MI
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Wow, Robert...time to cut back on the caffeine, dude. This is pretty harsh. Thanks to those who came to my defense!if you see no difference in a 1080p finish it's because you can't tell that a larger sensor looks completely different. I suggest an optometrist, and learning a lot more about how lens optics work. I also suggest you learn more sophisticated post techniques - then you will see another kind of difference when you try to grade 3:1 material in Full 5K, you will be amazed at what is possible.
If you read my comment carefully, you'll see that I said "basically" no difference...my point being that a lot of the minute details that we REDUsers are uber-conscious of, tend to go away when things go to 1080p. As far as using 3:1, as Nick pointed out, not every project needs or deserves that. Choosing a compression ratio is always a balancing act between image quality and data manageability...even the freaking Hobbit shot at 5:1, so don't tell me that Scarlet at 6:1 is unusable.
As has has been pointed out repeatedly, we all agree Epic is the better camera of the two for a number of reasons which have been spelled out many times. But Scarlet is still a great camera, whether for straight narrative, doco, or B-cam use. There is no need to crap all over it while proclaiming Epic to be superior. I'm just happy that I'm finally in a position to upgrade.
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