Great points as always Jim, my only small gripe is how you're pushing sensor size. That's an issue for a LOT of great classic glass, especially at the wide end.
I think there's a market for a RED, or RED-type camera, which pushes sensor size down, not up - which has 6K *in Academy S35* - and even moreso, something that has 4K in S16. That would give a new lease of life to a lot of lovely cheap S16 glass.
Think about it will ya? Digital cameras come and go (or get upgraded if it's a RED) at breakneck speed these days - but good glass is good glass forever. Help us use it. I know there are tradeoffs with photosite size, and ability of all lenses to resolve usefully at those sizes, but still...
Mike
Thanks Mike. Appreciate it.
Sony, and Microsoft need some advice from you Jarred. The gaming industry could really have 4k in the future with real life scenes and characters which you can control. For example, a cinematographer filming multiple scenes for a action game in the future on the Red Camera and then programmers can do some serious coding. It's really impossible if you think about it but what can you say, a Red camera was impossible in my head 10 years ago but you made impossible into possible.
