Wayne Morellini
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I still have concerns about the other picture quality concerns about monitors. Sure, you can technically build a monitor with 4K resolution. But what's the bit-depth? How many consumer monitors out there can really handle 10-bit color? How many can actually reproduce Rec709 color space? How many can display pictures without enhancement issues or motion artifacts? How many have a wide enough contrast range that can handle rapid bright-to-dark transitions without any issues? How many can show white details without blooming out? How many consumer monitors look the same from many different angles in the room? How many can show a perfect gray scale display? How many can even show the exact same pictures, day after day, without changing over time? I think the answer is zero -- at the moment.
All of these problems are hard to solve even with very costly pro HD displays. 4K displays are even tougher. I don't dispute that it can be done; Sony's 4K projectors are very good in most respects, except maybe for cost, size, heat, and physical noise. And I have hope that maybe Red will be able to produce an affordable pro 4K projector of some kind. But I think the consumer electronics industry needs to walk before it can run; it's barely crawling with most of the awful consumer HD monitors I see out there. And I still say 4K delivery to the home is going to be difficult to do in the near future, even assuming just a 20Mbps data rate. And the chances of a new physical media format for consumers is almost impossible, given the near-collapse of video stores and mass-market chain stores in the present economy.
Given a massive change in infrastructure -- say, an ultra-wideband "FiOS-like" service available inexpensively in all parts of the country, without data caps -- sure, it's possible. But first: show me a decent consumer monitor that does all the HD basics right in terms of color, brightness, black detail, white detail, and all the other parameters. Then, do it in 4K.
There has been a lot of advances in recent years in consumer displays, even years ago 8k show model was described like looking through a window (or was that shd). My own old TV was one of the cheapest on the market, and cheapest with professional color calibration. I can see some issues, including occasional banding if I care to take notice, dark levels are near black (though I have not used a calibrated source with own dtv decoder), off angle not so good, but allright for monitoring. I bought it because it was the first affordable LCD screen to be good enough, it rivaled the higher end sets, now even the low end vivo sets at least rival it, and the higher end sets are generations ahead in quality. On bluray it is clearly better than going to the movies, even digital projection probably (except maybe the brightness). Would I buy a 4k version of that standard for editing , probably not, but most consumers would not worry too much. So, even if the 4k sets suffer a bit it is still going to be consumer good,
Have you checked out the new range of good TV's from lowest to highest? Motion is now being conquered (well, many switching 3d lcds had that conquered for a few years, at reduced brightness, but how much brightness do you want for editing). There has been recent advances, and a number of new technologies, including blue phase LCD, where sequential color up to 1000fps might be possible, that is just LCD's. We are looking at cheaper and better. For even a low end consumer I think they could do shd or even uhd cheap and good enough, but we are only talking about high end consumer here, so expect much of what you ask for.
Sorry I am a bit unclear here, I have forgotten what I wanted to write originally.
I can't wait for the day that we will playback 120fps or 96fps of 4K. I think that is the thing to push from now on. We can record it with Epic. As long as peoples feedback is that they can't see the difference between 4K and 2K a lot of things are not right yet. One thing is for sure...4K is the resolution most of us here believed in. But to truely make it a show of rich detail/sharpness we will need much higher framerate to get rid of motionblur. The more motionblur will be a thing of the past, the more we will see the benefits of a hi-res imaging. We need detail in moving objects in my opinion. And I hope I'm not alone in this. 120fps5K shouldn't be only used for overcranking. It should also predominantly be a futureproof acquisition format. I hope projectors and monitors will step it up from now on!!
Years ago I wrote up a recommendation for handling compression of motion, it looks like some people might have read it. Basically matching compression to noticability and eye tracking, the faster it goes, and even turns, the less detail needs to be preserved, with preference given to shape/s before it could be broken down further (plus a few other things I can't remember). This was targeted at improving old compression use, mpeg2/h264. Honestly though, I think 50fps is fine for consumer.