Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)
Hi All,
I'm looking into a group buy and I wanted to get the community's opinions on a few questions I have.
What's the sweet spot for discounting?
What are some of the most successful group buys on RedUser?
What are the major pitfalls? I know that people bailing is the number one issue -...
Hi All,
I haven’t seen this camera comparison before:
Take the linear HDR information from each camera and place it in a common colour space so that each camera can be evaluated independent of any ‘introduced’ differences after debayer.
This is a test for RedUsers so I am reaching out to...
iOS link: https://vimeo.com/156126288
The operating was split between myself and Liam Myles Gilmour using the MoVI controller on a fluid head in 'Mimic' mode - a very responsive setup.
It's still in need of some workshopping (I need more Steadicam training and the cage went around so far that...
I couldn't find anything in the manual:
When debayering/outputting to a linear format like DPX, where each code value scales linearly to the radiant power of the scene (terminology is perhaps off) what does it mean to have a 'Highlight' OLPF?
I guess I could also ask why if, RG4 is unchanged...
A sound tech recently insisted it's still the case that genlock is required for audio sync on long takes on multi cam epic / dragon shows. Is this still the case?
It seems like it once was. But either way, in a practical sense is it ever a problem on typical drama-length takes anyway?
Could...
This is way off topic but I am coming to RU as I know there are many post gurus here.
My offline editor has supplied an XML which doesn't name all the source files - some of the edits only refer to time codes, so it can't populate the timeline with video.
I am hoping there's some way to...
http://www.achtel.com/TrueBlue/
'virtually removes all magenta contamination from the blue spectra'
Interesting concept, seems to be an entirely different approach. This involves a 3rd party filter and a post process to go with it. Footage to be shown in SMPTE in Sydney this July, but here's...
I am selling my Walter Klassen slingshot. I have decided to go for a Steadicam arm instead, and I want to get a full sized Vest for that. This package comes with a lighter version of the WK Flex Vest http://shop.walterkl...py-of-slingshot
Includes:
Slingshot,
FlexVest (Slingshot version)
Two...
This is a reluctant sale, as I wanted to wait until NAB so I can assess what Weapon is all about, but I have to carry on with other things.
This was a BT Scarlet purchase, and I've used it for a few jobs - too busy to shoot my own stuff.
It's new-looking with 67 hours of use on it. (not all...
I had the privilege of operating MoVI on this terrific shoot. We used the 'toad in the hole' quick release system to jump between crane operating and hand held. The crane shots were operated by the DP on the Hurricane Wheels.
3 camera shoot plus drone.
https://vimeo.com/110860865
Here's the...
https://vimeo.com/110223109#t=0s
This is just the BTS with a few snippets of footage, but I wanted to share it because it's a great demonstration of the smoothness of the M10 with inline skating due to its compactness and lightness. It also shows how easy it is to share the rig around on set...
Quite a thorough treatment. I'd be interested to see what everyone has to say.
http://www.dvinfo.net/article/ultra-hd/dragon-color-does-tungsten-or-daylight-make-a-difference.html
I am selling my trusty MoVI M10, as I have taken Freefly's early adopter upgrade deal to the M15.
Price: $7000 with accessories and upgrades (see below) including case and quick release system.
Preamble
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This tool has been the basis of my film career...