Welcome to our community

Be a part of something great, join today!

  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Recent content by Adrian Lopez

  1. A

    New ALLSTEADY 7 owner - best approach to mounting the Epic?

    Folks, Just got my ALLSTEADY 7 today. I know some of you bought the ALLSTEADY 7 through a group buy, so I'm wondering what are best approaches to mounting the EPIC on the gimbal. I have 12" sliding dovetail and several RED quick release bases, but they seem to raise the EPIC too high to fit...
  2. A

    [HELP WANTED] Looking for a RED-versed DP for a 3 day shoot in the tropics.

    We're looking for a DP to shoot a commercial for a financial institution. We anticipate a 3 day shoot, with RED Epic equipment being sourced at location. Please respond via PM with link to previous work. Would prefer individuals located along the eastern and southern coast of the US. Thanks...
  3. A

    Dragon to be used on Game of Thrones!

    A Dragon for Dragons.... http://gizmodo.com/this-intense-carbon-fiber-red-dragon-camera-will-film-g-1287266894 I'm curious how far its use will go.. just the occasional shot or primary camera.
  4. A

    Premiere CS6 - replacing proxy references with r3d files on the timeline or project

    Folks, We've had to go back and make some changes to some older projects that used RED footage. The original projects were cut in FCP and used the proxies. We've now imported an xml from that project into Premiere 6, and of course, all the proxies are appearing in the project. We want to...
  5. A

    R3D to Targa Sequence?? Why?

    Folks, We have a TV spot we shot with our new Scarlet. The 60 sec. spot is finished in Premiere, with a little polishing in Davinci. The client has asked for the spot to be delivered as a Targa sequence, with separate music, VO and sfx tracks. I'm curious if anyone has had this request...
  6. A

    Dynamic range comparison footage - RED MX vs ALEXA vs 16mm

    Thought I'd share this.. not sure if its been posted before... https://vimeo.com/24345144
  7. A

    Is RED ROCKET a team player?

    Folks, We're seriously considering purchasing a RED ROCKET card now that we have our own Scarlet. How does the card coexist with other monitoring solutions? We currently have an AJA solution in our Mac Pro to handle monitoring our Final Cut edits, however, we may be switching to a BlackMagic...
  8. A

    Scarlet and VFX

    Folks, We do quite a bit of VFX work working with live plates. Various software packages will need to know specifics about the camera to properly match the footage - whether it be for matchmoving or 3D tracking. What the appropriate filmback sizes for the Scarlet? I imagine it would change...
  9. A

    Scarlet Low Light test - weird bokeh

    Folks, I've started doing some low light tests with our new Scarlet. Overall, I'm quite pleased with what I'm getting. There is, however, some weirdness in this shot. Anyone know whats causing the 'concentric circles' artifact on the city lights bokeh? I'm shooting with the RED zoom 17-50mm...
  10. A

    Scarlet and Atomos Samurai

    Folks, We're considering ordering the Atomos Samurai to support our Scarlet. Just wondering, does the Samurai use the same clipnames the scarlet is using? Would we be able to relink to the r3d files if we edit with the Samurai files? Thanks in advance.
Back
Top