Brandon Fraley
Well-known member
steven, you have been misinformed.
In the recent decade, traditional cinema cameras, as HDCAM from Sony, Panavision or Thomson Grass Valley used electronic viewfinders.
This is done to overcome the inherent design disadvantages and flaws of optical viewfinders, which would be :
- loss of light.
- the inability of monitoring the recorded signal, which is considered cruicial by several dps, directors and producers
- the pure absence of any successful digital camera using an optical viewfinder design. Only badselling and/or discontinued products, as the Arri D20 were *only* using optical designs.
I included a short list of digital full features which where successful in cinemas in the recent decade which used EVFs. Feel free to enhance the list by the ones i missed.
Furthermore, one should be aware that in the 35mm marketspace, still a slight minority of the sold cameras are based on the mechanical design approach - these typically have to use OVFs.
* Bryan Singer - Superman Returns,
* Peter Greenaway - Nightwatching
* David Fincher - Zodiac
* Michael Mann - Miami Vice, Collateral,
* Steven Soderbergh - Guerrilla, Argentine
* Sidney Lumet - Tödliche Entscheidung
* Anthony Hopkins - Slipstream
* Andy Wachowski und Larry Wachowski - Speed Racer,
* Mel Gibson - Apocalypto,
* Francis Ford Coppola - Youth with without Youth
* Ridley Scott - The Company
* Pitof - Vidocq
* George Lucas - Star Wars Episode II and III,
* Robert Luketic - 21
* Robert Altman - A Prairie Home Companion,
* Lee Tamahori - Next
* Robert Rodriguez - Sin City, Planet Terror,
* Tony Scott - Déjà Vu
* Lars von Trier - Dogville, Manderlay,
* Rob Minkoff - The Forbidden Kingdom
* Michael Moore - Bowling for Columbine,
* Sylvester Stallone - Rocky Balboa,
* David Zucker - Scary Movie 4
* Peter Jackson - Crossing the line,
* James Cameron - Ghosts of the Abyss, Aliens of the Deep, Avatar
* Robert Zemeckis - Polar Express, Beowulf
* David Lynch - Inland Empire,
* Jean-Jacques Annaud - Two Brothers
* Tim Burton - Corpse Bride
I think he was referring to film cameras when he said Cinema cameras (correct terminology or not), and in that market (which is the vast majority of the 35mm market) opitcal viewfinders are still the mainstay. And your statistic of optical viewfinders sold in the minority seems misleading in that most digital systems do not offer an optical option, those filmmakers don't have a choice.
not to argue the merits of the EVF