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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

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A
Hey Vince,

I think I might be interested in your Gemini kit.

I'm actually in Toronto, and would fly over to check it out and bring back with me.

Only thing is, I'm like crazy busy with meeting multiple deadlines at the moment, I shouldn't even be searching reduser lol... but anyway, I just thought the package looked good even the fact that it's Nikon mount will match my Epic Dragon setup...

Just wanted to send you a message, but realistically for me I won't be able to pick up the camera till early or Mid Nov if I'm being realistic.

Thought I should express my interest anyway.

Thanks,

-Ant

My email just in case n5pictures@gmail.com
B
Hey John,
I send a message but am following up with a PM.
Do you still have either of the Revolva EF sets? If so, I'd like to grab one with both inserts.
C
Brand new RED Komodo-X package for sale. Bought for a project and due to delays inbackordered parts I was not able to use it. Pulled it out of the box just to turn it on and test it but thats about it. I have a return started with B&H but the camera body itself is a non returnable item so just seeing if anyone would like to buy the whole package. I also have the Tilta Advanced Gold Mount cage ($830) otw but its been backordered and have not received confirmation its shipped yet. I'll leave this listing up for a few days but otherwise I'll probably return everything I can while I can.

RED Komodo-X // $10k

(2) 1tb RED Angelbird // $300

Angelbird CFexpress Type B MK2 // $90

RED 5-pin to dual XLR 3-pin adapter // $300

RF - PL adapter w/ built in electronic ND // $3,500

Portkeys BM5WR 5.5" touchscreen monitor w/ RED control // $750

Complete Package : $15k (I paid $16,341 / buyer pays shipping, located in Atlanta, GA)
G
Hey Ryan, where in Southern California are you? I am interested in the Gemini Kit you have up for sale.

Cheers,
Graeme
Ryan Walters
Ryan Walters
directly middle of LA and San Diego , by Temecula ..
Where are you ?
Ryan Walters
Ryan Walters
This is a premiere package that I need to sell for financial reasons.. otherwise I’d keep it, I’d rather not sell to the overseas buyers right now but let me know asap, thx
-best
Nick_Brown
Hi Joshua,

I am looking into purchasing an older DSMC1 system for the occasional narrative project (coming from the Red One MX) and it's great to see that there is still someone who can service them -- you are a great resource for keeping these old systems alive. I was curious though, is there anything that I should be looking for as a buyer? Obviously, some kits look well-cared for while others don't. But in your experience, are there some models that are more prone to failure than others? Beyond a full teardown/cleaning/internal battery swap, are there any other repairs that you are able to do?

Thanks.

Nick
Joshua Wilson
Joshua Wilson
So the Epic Mx is one of my favorites but the ISP is prone to go out and I have no replacements for that.

I would go Dragon it's a more reliable camera. The sensor seems to be more sensitive to be jarred. I don't have a lot that come in with that issue but I had enough to know that it's one of the dragons weak points, but still the most reliable of the series.

Just make sure you use it don't let them sit around. Weirdly they will break on the shelf so turning it on once a week and letting it get up working temperature is good practice. So don't be so scared of hours anything sub 1500hrs would be a good by but if it's over that still not the biggest deal I would get a cleaning right away on anything over 1500 but yearly maintenance cleaning is a good practice as well.

Scarlet Mx is good if I has the top and bottom fan upgrade they need to stay cool but I also have plenty of parts for those.

If the seller is willing I could check it out before purchase and let you know if it would be a good buy and any maintenance it might need.
Nick_Brown
Nick_Brown
Thanks, this is useful (too bad because I was pretty pumped to pick up an Epic MX!). But it sounds like the Scarlet MX is less prone to failure? The top fan upgrade is easy to spot because they are red in color, but is there a way to make sure that the bottom fans have also been replaced?

That's a really interesting observation about the hours on a camera. I've read a couple of posts here where owners say that they've powered their camera on after letting it sit and finding issues.

Out of curiousity, are the DSMC2 bodies more reliable? And do you service those too?
M
Hey Jason - Thanks for reaching out. I need something with the ergonomics of the C300 III/C500 II for my next project. I am about to lower the price of this kit. Thanks for the offer.
M
Hi Graeme - Thanks for reaching out. I'm needing a C300 III/C500 II for my next project. If I were doing something personal I'd probably go for it. I am about to lower the price of this kit. Thanks for the offer.
G
Hey Matthew,
Regarding your post about the Komodo-X. I have a Canon R3 if your production is looking for one. Would that be of interest in a trade+cash scenario?

Cheers,
Graeme
Brandon W
LENS3421: Cooke 2x Anamorphic/i Lens Set 25mm 32mm 40mm 50mm 75mm 100mm 135mm PL Mount


Price: $143,950


Included:
- Cooke 25mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Feet (9025-0230)
- Cooke 32mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Feet (9032-0301)
- Cooke 40mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Feet (9040-0378)
- Cooke 50mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Feet (9050-0301)
- Cooke 75mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Feet (9075-0301)
- Cooke 100mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Metric (9100-0274)
- Cooke 135mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Feet (9135-0230)

Note: The 100mm is Metric

--

Cooke Anamorphic /i 2x prime lenses are designed to cover the super 35 format and provide the classic anamorphic lens characteristics sought after by many filmmakers. The Anamophic /i lenses incorporate the trademark “Cooke Look”, offering superb optical and mechanical performance. Distortion, veiling glare, flares, and all aberrations are controlled at all apertures over the whole field of view.

On the “Standard” version of the lenses, flaring is well controlled and minimal. The “SF” (Special Flare) version of the lenses contain different coatings that give a more pronounced, classic blue horizontal flare.
Brandon W
LENS3420: Cooke 2x Anamorphic/i Lens Set 25mm 32mm 40mm 50mm 75mm 100mm PL Mount



Price: $123,950


Included:
- Cooke 25mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Feet (9025-0230)
- Cooke 32mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Feet (9032-0301)
- Cooke 40mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Feet (9040-0378)
- Cooke 50mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Feet (9050-0301)
- Cooke 75mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Feet (9075-0301)
- Cooke 100mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Metric (9100-0274)
- 2 Custom Fitted Hard Cases

Note: The 100mm is Metric

--

Cooke Anamorphic /i 2x prime lenses are designed to cover the super 35 format and provide the classic anamorphic lens characteristics sought after by many filmmakers. The Anamophic /i lenses incorporate the trademark “Cooke Look”, offering superb optical and mechanical performance. Distortion, veiling glare, flares, and all aberrations are controlled at all apertures over the whole field of view.

On the “Standard” version of the lenses, flaring is well controlled and minimal. The “SF” (Special Flare) version of the lenses contain different coatings that give a more pronounced, classic blue horizontal flare.
Brandon W
ACC3401: Wooden Camera Revolva Pass Through Top Plate DSMC2


Price: $150


Included:
- Wooden Camera Revolva Pass Through Top Plate DSMC2

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The Revolva Pass Through Top Plate DSMC2 has all same features as our Pass Through Top Plate (RED DSMC2) and adds a small cut out on the front to make it compatible with the KipperTie Revolva EF or PL mount. The Revolva Pass Through Top Plate provides 26pin LCD connection and 3pin trigger handle interface. Arrays of 1/4-20 holes in Red spacing, 3/8-16 holes for large accessories and the ARRI standard accessory mount in several places.

Attaches to top of camera by (4) 1/4-20 captured screws. Compatible with RED DSMC2 Brains Monstro, Helium, Gemini, Weapon, Epic Weapon (Epic-W), Scarlet Weapon (Scarlet-W), Raven and other DSMC2 cameras. This product is great for adding mounting points to your DSMC2 camera and allows for other cage and cable components like our Safety NATO Arm (Weapon/Epic-W/Scarlet-W/Raven) and RED Male Pogo To Female Pogo LCD/EVF Cables to be attached as well.
Brandon W
ACC3403: Tilta FF-T05 Single-Sided Follow Focus


Price: $395


Included:
- Tilta FF-T05-V2 Single-Sided Follow Focus

Note this item has a small chip in it, look at the photos for reference

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Whether you're working with photography lenses or a professional cinema lens, Tilta's FF-T05-V2 Single-Sided Follow Focus Kit can accommodate. Three differently sized 0.8 MOD drive gears are included for driving lenses with short or long focus throws. The follow focus unit itself has a swing-arm for easy gear placement.
Brandon W
ACC3404: RED Pro MINIMAG Case


Price: $45


Included:
- RED Pro MiniMag Case Only

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The RED MINI-MAG (4-Pack) offers 4x ultra-fast RED MINI-MAGs and a water-resistant case lined with precision-cut foam for protection during transportation. Turbo-charged RED MINI-MAG red models deliver the largest storage capacities with a max data rate of 300 MB/s for achieving the lowest REDCODE® compression ratios.

RED MINI-MAG data transfer speeds are up to 50% faster on WEAPON®, compared to transfer speeds of the EPIC DRAGON. Capable of supporting simultaneous R3D® and Apple ProRes recording on DSMC2® BRAINs, RED MINI-MAGs offer the ideal media solution—whatever your workflow might be.

NOTE: A RED MINI-MAG Side SSD Module is required for use with your RED EPIC® or SCARLET® camera. A RED STATION RED MINI-MAG - USB 3.1 is required to offload RED MINI-MAG media.

NOTE: The RED MINI-MAG system requires that your DSMC® is on firmware v5.1.34 or later.
Brandon W
ACC3406: RED Pro 2 Stage Matte Box Carbon Fiber


Price: $360


Included:
- RED Pro 2 Stage Matte Box Carbon Fiber



The RED PRO Matte Box provides a lightweight, clip-on solution for reducing glare and adding filtration. Its 2-stage linear 4x5.6 filter trays and carbon fiber build make it a great solution for both studio and handheld configurations.
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