Brandon W

LENS3421: Cooke 2x Anamorphic/i Lens Set 25mm 32mm 40mm 50mm 75mm 100mm 135mm PL Mount


Price: $143,950


Included:
- Cooke 25mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Feet (9025-0230)
- Cooke 32mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Feet (9032-0301)
- Cooke 40mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Feet (9040-0378)
- Cooke 50mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Feet (9050-0301)
- Cooke 75mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Feet (9075-0301)
- Cooke 100mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Metric (9100-0274)
- Cooke 135mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Feet (9135-0230)

Note: The 100mm is Metric

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Cooke Anamorphic /i 2x prime lenses are designed to cover the super 35 format and provide the classic anamorphic lens characteristics sought after by many filmmakers. The Anamophic /i lenses incorporate the trademark “Cooke Look”, offering superb optical and mechanical performance. Distortion, veiling glare, flares, and all aberrations are controlled at all apertures over the whole field of view.

On the “Standard” version of the lenses, flaring is well controlled and minimal. The “SF” (Special Flare) version of the lenses contain different coatings that give a more pronounced, classic blue horizontal flare.

LENS3420: Cooke 2x Anamorphic/i Lens Set 25mm 32mm 40mm 50mm 75mm 100mm PL Mount



Price: $123,950


Included:
- Cooke 25mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Feet (9025-0230)
- Cooke 32mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Feet (9032-0301)
- Cooke 40mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Feet (9040-0378)
- Cooke 50mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Feet (9050-0301)
- Cooke 75mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Feet (9075-0301)
- Cooke 100mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Metric (9100-0274)
- 2 Custom Fitted Hard Cases

Note: The 100mm is Metric

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Cooke Anamorphic /i 2x prime lenses are designed to cover the super 35 format and provide the classic anamorphic lens characteristics sought after by many filmmakers. The Anamophic /i lenses incorporate the trademark “Cooke Look”, offering superb optical and mechanical performance. Distortion, veiling glare, flares, and all aberrations are controlled at all apertures over the whole field of view.

On the “Standard” version of the lenses, flaring is well controlled and minimal. The “SF” (Special Flare) version of the lenses contain different coatings that give a more pronounced, classic blue horizontal flare.

ACC3401: Wooden Camera Revolva Pass Through Top Plate DSMC2


Price: $150


Included:
- Wooden Camera Revolva Pass Through Top Plate DSMC2

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The Revolva Pass Through Top Plate DSMC2 has all same features as our Pass Through Top Plate (RED DSMC2) and adds a small cut out on the front to make it compatible with the KipperTie Revolva EF or PL mount. The Revolva Pass Through Top Plate provides 26pin LCD connection and 3pin trigger handle interface. Arrays of 1/4-20 holes in Red spacing, 3/8-16 holes for large accessories and the ARRI standard accessory mount in several places.

Attaches to top of camera by (4) 1/4-20 captured screws. Compatible with RED DSMC2 Brains Monstro, Helium, Gemini, Weapon, Epic Weapon (Epic-W), Scarlet Weapon (Scarlet-W), Raven and other DSMC2 cameras. This product is great for adding mounting points to your DSMC2 camera and allows for other cage and cable components like our Safety NATO Arm (Weapon/Epic-W/Scarlet-W/Raven) and RED Male Pogo To Female Pogo LCD/EVF Cables to be attached as well.

ACC3403: Tilta FF-T05 Single-Sided Follow Focus


Price: $395


Included:
- Tilta FF-T05-V2 Single-Sided Follow Focus

Note this item has a small chip in it, look at the photos for reference

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Whether you're working with photography lenses or a professional cinema lens, Tilta's FF-T05-V2 Single-Sided Follow Focus Kit can accommodate. Three differently sized 0.8 MOD drive gears are included for driving lenses with short or long focus throws. The follow focus unit itself has a swing-arm for easy gear placement.

ACC3404: RED Pro MINIMAG Case


Price: $45


Included:
- RED Pro MiniMag Case Only

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The RED MINI-MAG (4-Pack) offers 4x ultra-fast RED MINI-MAGs and a water-resistant case lined with precision-cut foam for protection during transportation. Turbo-charged RED MINI-MAG red models deliver the largest storage capacities with a max data rate of 300 MB/s for achieving the lowest REDCODE® compression ratios.

RED MINI-MAG data transfer speeds are up to 50% faster on WEAPON®, compared to transfer speeds of the EPIC DRAGON. Capable of supporting simultaneous R3D® and Apple ProRes recording on DSMC2® BRAINs, RED MINI-MAGs offer the ideal media solution—whatever your workflow might be.

NOTE: A RED MINI-MAG Side SSD Module is required for use with your RED EPIC® or SCARLET® camera. A RED STATION RED MINI-MAG - USB 3.1 is required to offload RED MINI-MAG media.

NOTE: The RED MINI-MAG system requires that your DSMC® is on firmware v5.1.34 or later.

ACC3406: RED Pro 2 Stage Matte Box Carbon Fiber


Price: $360


Included:
- RED Pro 2 Stage Matte Box Carbon Fiber



The RED PRO Matte Box provides a lightweight, clip-on solution for reducing glare and adding filtration. Its 2-stage linear 4x5.6 filter trays and carbon fiber build make it a great solution for both studio and handheld configurations.

ACC3405L: RED Belt Clip

Price: $65


Included:
- RED Belt Clip DSMC

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Especially useful when shooting in lightweight handheld configurations, the RED Digital Cinema DSMC Battery Belt Clip enables you to power your camera from approximately 5.5' away. This allows you to mount the battery to your belt so you are not carrying the weight of the battery directly on your camera. Designed for RED Digital Cinema brick batteries, it features a V-Mount connector and supports V-Mount batteries.

The power cable terminates in a 6-pin LEMO 1B connector. The battery belt clip incorporates a D-Tap connector for powering accessories from a single battery.
Please note there is a 70W limit on the power draw through the D-Tap connector.

The attached 1B power cable allows you to plug directly into a DSMC or DSMC2 camera without the use of a 2B-TO-1B power adapter cable.

The built-in D-Tap connector supports power draws up to 70W.

ACC3410: KipperTie S35-C2 Carbon Diffusion Optical Low-Pass Filter DSMC2


Price: $180

Included:
- KipperTie S35-C2 Carbon Diffusion Optical Low-Pass Filter for DSMC2

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Carbon softens fine detail, and retains sharp focus with minimal contrast loss and flare. Bokeh is rendered faithfully to the taking lens, with minor patterning. Available in two diffusion densities, both using KipperTie’s own optimised colour calibration. The KipperTie lowcon diffusion filter range is carefully designed to provide the most effective, beautiful and consistent diffusion for your RED camera. A rare product that improves your images yet simplifies your rig. Each filter combines precision scientific-grade optical components with artisan hand-production techniques. The true optical low-pass filter function is maintained, and colour calibration is matched to Red’s standard options.

ACC3408: Kippertie Revolva PL-S (3X) Cartridges 0.6 1.2 2.1 ND 0.3 0.6 0.9 ND 1.2 1.5 1.8 2.1 ND

Price: $1,995


Included:
- Kippertie Revolva PL-S mount
- 3X Cartridges
- (0,0.6,1.2,2.1 ND)
- (0,0.3,0.6,0.9 ND)
- (1.2,1.5,1.8,2.1 ND)
- Adjustment tool
- Shim kit

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- Revolva PL-S is the simple, effective filter mount for RED DSMC2. The single filter cartridge is loaded with a four-position rotating filter. Compatible with any quick-change Revolva cartridge, for best of class ND and diffusion, right where you need it.
It’s is easy to love. No fumbling with trays, sticking screw threads or dropped and smashed filters. Just slip in the tough aerospace alloy filter cartridge and spin to the filter you need.

Kippertie PL-S is compatible with most modern PL lenses. Revolva EF and RF/EF are compatible with any standard EF lens. Only PL lenses which have a very deep rear element projection cause trouble. This includes some common vintage lenses such as Panchros, B-speeds, and others of similar optical design. A simple lens fitment tool is included in the box to determine compatibility.

ACC3409: Kippertie Longtake 2TB SSD Case & Cord


Price: $1,250


Included:
- Kipertie Longtake 2TB SSD
- Hard case
- USB - USB-C Cable


The Longtake not only uses faster storage but is double the capacity of the largest RED Mini-Mag at 960GB. Longtake® SSD mags are produced by KipperTie under RED.com’s Approved Third Party programme. RED’s intellectual property and patents are properly licensed in this process. Each SSD module is provisioned at RED for supply chain and quality transparency.

LENS3419: Cooke 2x Anamorphic/i Lens Set 25mm 32mm 40mm 50mm 75mm PL Mount


Price: $103,950


Included:
- Cooke 25mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Feet (9025-0230)
- Cooke 32mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Feet (9032-0301)
- Cooke 40mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Feet (9040-0378)
- Cooke 50mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Feet (9050-0301)
- Cooke 75mm T/2.3 2X Anamorphic/i Prime Lens PL Mount & Feet (9075-0301)

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Cooke Anamorphic /i 2x prime lenses are designed to cover the super 35 format and provide the classic anamorphic lens characteristics sought after by many filmmakers. The Anamophic /i lenses incorporate the trademark “Cooke Look”, offering superb optical and mechanical performance. Distortion, veiling glare, flares, and all aberrations are controlled at all apertures over the whole field of view.

On the “Standard” version of the lenses, flaring is well controlled and minimal. The “SF” (Special Flare) version of the lenses contain different coatings that give a more pronounced, classic blue horizontal flare.

LENS3418: Canon CN-E 30-300mm T2.95-3.7 L SP EF Mount Cinema Zoom Lens (Feet)


Price: $16,495


Included:
- Canon CN-E 30-300mm T2.95-3.7 L S EF Mount Cinema Zoom Lens (FT)
- Front Lens Cap
- Rear Lens Cap



The Canon CN-E 30-300mm T2.95-3.7 L S EF Mount Cinema Zoom Lens is designed expressly for digital cinematography with cameras that have an APS-C or Super 35-equivalent sensor and a EF mount, including Canon's EOS C300. Featuring advanced optical technology designed by Canon, the lens is suitable for any capturing any size HD image up to and including 4K resolution.

With a focal length range of 30-300mm, the 10x cinema zoom lens is designed to cover the longer end of the focal lengths typically required by cinematic productions, and its maximum telephoto length of 300mm puts it among the best in its class. (The other zoom lens in the line, the CN-E 14.5-60mm T2.6 L S, covers the wider end.) Maximum aperture is a relatively fast T2.95 throughout much of its range, and the 11-blade iris enables a smooth bokeh for out-of-focus areas of the frame.

The lens was designed with working professionals in mind, with easy-to-read focus, zoom, and iris markings engraved into angled surfaces on both sides of the lens, so you can read the setting from either side of a camera – or from behind it. Depending on the production's needs, focus markings can be switched from standard to metric. The lens facilitates manual operation that's subtle, smooth, precise, and repeatable. Control rings are designed to provide and maintain the proper amount of resistance so you can operate with a consistent torque. The focus rotation angle is about 300°; for zoom, it's approximately 160°.

The CN-E 30-300mm T2.95-3.7 L S lens complements the other lens in the line in more ways than just focal length range: Their shared 136mm front diameter, gear positions, and rotation angle make them almost ""hot-swappable"" when they're used with a shared matte box or follow focus.

ACC3412: Blackmagic Design Ultra Studio Mini Recorder


Price: $62


Included:
- Blackmagic Design Ultra Studio Mini Recorder


The compact Ultra Studio 3G Recorder from Blackmagic Design with Thunderbolt 3 output enables you to capture or stream video from your camera or other SDI or HDMI source using your computer's Thunderbolt connection. This recorder supports both YUV and RGB video resolutions up to 1080p60 via 3G-SDI or HDMI.

LENS3417: ARRI ZEISS Ultra Primes 16mm 24mm 32mm 50mm 85mm 135mm T/1.9 with PL Mount Hard Case


Price: $31,950

Included:
- ARRI Ultra Prime 16mm Lens T/1.9 (8946278)
- ARRI Ultra Prime 24mm Lens T/1.9 (8939690)
- ARRI Ultra Prime 32mm Lens T/1.9 (8944979)
- ARRI Ultra Prime 50mm Lens T/1.9 (8939618)
- ARRI Ultra Prime 85mm Lens T/1.9 (8940387)
- ARRI Ultra Prime 135mm Lens T/1.9 (8950009)
- Hard Case



- ARRI / ZEISS Ultra Prime Lenses have the widest focal range of prime lenses giving you the flexibility to get the coverage you want. The Ultra Prime lenses are lightweight standard speed lenses that are a perfect optical match to the high speed ARRI / ZEISS Master Prime lenses. They have been developed in a cooperation of ARRI and ZEISS.
Well controlled distortion and breathing
Superior close focus ability
Floating elements design
Easy-to-read calibrated scales
Uniform diameters
Particularly robust and easy to service.

KIT3422: ARRI Alexa XT Kit EVF-1 Top Handle (2X) Codex 512GB Capture Drive Dock Base Plate Rods


Price: $7,995


Included:
- ARRI Alexa XT (SN: 6787) (7470 hours)
- EVF-1
- EVF bracket
- Top Handle
- (2X) Codex 512GB
- Codex Capture Drive Dock
- 19mm Bridge Plate
- LB-1 Leveling Block
- 19mm Rods
- V Mount Battery Plate
- Cables (power, EVF short & long, USB2, audio, ethernet)

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Keeping with the form factor of Arri’s original Alexa camera while incorporating more recent feature advancements, the Alexa XT can be fitted with a Panavision lens mount and further supported with the Panavision Modular accessory system for streamlined on-set functionality.

ACC3413: AJA T-Tap Thunderbolt powered SDI & HDMI output

Price: $45

Included:
- AJA T-Tap Thunderbolt powered SDI & HDMI output

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Get 10-bit SD, HD and 2K output from any
Thunderbolt™ enabled Mac or PC.

AJA's T-TAP® provides video professionals with an inexpensive, extremely compact device that utilizes the power of Thunderbolt™ to deliver high-quality 10-bit SD, HD and 2K video and embedded audio output from any compatible Mac or PC.

Thunderbolt connectivity

Simple to setup and use, T-TAP connects to your Mac or PC via the blazing-fast Thunderbolt™ connection which provides the bandwidth necessary for full broadcast-quality video and audio output.

Because T-TAP is powered via the Thunderbolt™ connection, there's no need for an additional power supply, minimizing cabling and maximizing portability.



Compact power



Smaller than a deck of playing cards, T-TAP offers broadcast-quality performance you can fit in the palm of your hand.

ACCESSORIES: RED Magnesium G PL 1.0 Mount DSMC

Price: $360

Up for sale is a RED DSMC MG PL Mount & Cap.

The DSMC Magnesium PL Mount 2.0 allows you to use PL mount cinema lenses with your DSMC or DSMC2 BRAIN. Lightweight magnesium construction and a solid locking mechanism provides durable, lightweight support for PL mount glass. Captive screws provide a secure attachment and allows for more convenient mount removal. This mount is a must have for cinematographers looking for the cinematic aesthetic of PL lenses.

Note

For RED EPIC and SCARLET cameras, the DSMC Fan 2.0 (Bottom) and the DSMC Mg PL Mount 2.0 are not natively compatible with each other, since the fan grill prevents the lens mount locking ring from rotating. To use these devices together, remove the lower tabs from the locking ring using a T8 TORXdriver.

ACCESSORIES: Tilta Power Distributor & Gold Mount Battery Plate for ARRI ALEXA Mini

Price: $295

Included:
- Tilta Power Distributor & Gold Mount Battery Plate for ARRI ALEXA Mini



Unique power solution designed specifically for use with the ARRI Alexa Mini camera

High Quality Aluminum Material, Seiko CNC manufacturing, ultra-hard anodic oxidation surface treatment, and titanium alloy hardware

Integrated camera cooling system

Power distribution through either its gold power strip connectors or several Lemo and P-Tap sockets

HD-SDI splitter takes one input and divides it into two outputs



The ESR-P02 is a professional battery plate and power distribution unit designed specifically for use with ARRI's high-end Alexa Mini line of cameras. Boasting heavy-duty design, and style to match, the ESR-P02 is equipped with a Gold Mount battery plate, which distributes DC power to a number of 14.8 and 12V outputs, a dedicated - coiled - power cable designated for powering the Alex Mini, a built in heatsink and cooling fan for cooling the camera, and a HS-SDI splitter. The ESR-P02's unique gold power contact interface can be used to energize many cages which feature internal power distribution.

KIT: RED V-Raptor 8K VV Kit 7" LCD (2X) 1TB Card Batteries Charger Cage DSMC3

1003 Hrs

Price: $25,995


Included:
- RED V-RAPTOR 8K VV DSMC3 (VRPB1001604) (Hours:1,003)
- RED DSMC3 7" Touch LCD
- (2X) Exascend 1TB Memory Cards
- Core SWX Fleet Micro 3A Digital Dual Charger for 2x V-Mount Batteries
- (4X) V-Mount Battery Core SWX Hypercore 9 Mini V-Mount 98Wh Batteries
- Exascend CFexpress Type A / SD Express Card Reader
- Tilta Top Handle
- Tilta Cage
- Tilta Top Plate
- Tilta Base Plate
- (2X) 15mm rods
- Tilta V-Mount battery plate

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Compact, fast, and full-frame—the black V-RAPTOR 8K VV Camera is an impressive introduction to RED DIGITAL CINEMA's new DSMC3 platform. Sized only slightly larger than the KOMODO but boasting a new sensor, the V-RAPTOR offers multi-format capture in 8K VV, 6K Super35, 4K, 3K Super16, and anamorphic options. This versatility enables you to adapt your format from project to project to suit your choice of a variety of pro cine or still photo lenses. The V-RAPTOR's RF lens mount can be used with numerous lens adapters, and it has a locking ring that provides additional security for use with heavier lenses and steady, wide-open capture.

LENS: Leitz Cine T/2.0 Summicron-C Lens Set 18mm 25mm 35mm 50mm 75mm PL Mount & Feet

Price: $44,950

Included:
- Leitz Cine 18mm Summicron-C Lens Lens T/2 (7101589)
- Leitz Cine 25mm Summicron-C Lens Lens T/2 (7102614)
- Leitz Cine 35mm Summicron-C Lens Lens T/2 (7101695)
- Leitz Cine 50mm Summicron-C Lens Lens T/2 (7101780)
- Leitz Cine 75mm Summicron-C Lens Lens T/2 (7101550)

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- SUMMICRON-C lenses offer authentic color rendition, natural focus transitions and fall off, and a creamy sharpness that captures everything from actresses to architecture with a humane and true representation. Skin tones remain soft and smooth while hard edges and fine details retain their contrast, which makes these one of the most versatile sets of cine lenses available.

Designed for the digital cinema market, the Leica Summicron-C 18mm Lens (C for cinema) features a stainless steel PL mount and provides a smaller, lighter, albeit slower option to the renowned Summilux-C series of lenses. The 18mm focal length is a common choice for a wide angle lens in the Super 35 format as it provides a strong wide-angle effect without extreme distortion. The small size of the lens makes it suitable not only for regular production but also for stabilized rigs, aerial cinematography, and stereoscopic 3D capture. Projecting a useable image circle of 36mm in diameter, it is compatible with a variety of cameras that have sensors that are slightly larger than Super 35.
The T2.0 maximum aperture is consistent among the range, so there is no concern about exposure variations when cutting between Summicron-C lenses. Each lens incorporates geared focus and iris control rings, which share the same position, so swapping lenses can be done without having to adjust your follow focus or lens control system.

The lens features an internal focus design, which means a non-rotating front perfect for clip-on matte boxes. A generous number of focus marks are distributed along the dual focus scales, and the 300° of focus rotation provides for accurate focus pulling. The 95mm diameter front is standard across all Summicron-C lenses, and, except for the 15mm and 135mm, they feature similar weight and the same length.

Ready for the Future The Summicron-C lenses have an image circle of 36mm, which is more than generous enough to cover the sensors of many popular cameras, including the 6K Red Dragon Sensor, without vignetting. For reference, the image circle requirement for Super 35 is approximately 28mm. The lens is telecentric, which helps reduce illumination fall-off from light hitting the sensor at a sever angle outside of the image circle. High Optical Performance
The modern lens design as well as the cine manufacturing process and tight tolerances ensure low distortion, high resolution and excellent color rendition. Although made using spherical elements only, the Summicron-C lenses provide a sharp image with a naturalistic Bokeh. The 300° of focus rotation provide for extremely accurate focus marks and focus pulls. Consistent front diameter and shared focus and iris ring position from lens-to-lens in the series allow for faster lens changes requiring less adjustment of matte boxes and lens accessories.