Solomon Nero
Well-known member
I woke up this morning and ordered the Epic-M Pack, which I now like to think of as my admission ticket. Keep your heads, arms and cameras inside the ride at all times.
Congrats Chris!!
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I woke up this morning and ordered the Epic-M Pack, which I now like to think of as my admission ticket. Keep your heads, arms and cameras inside the ride at all times.
Who plays Mr. Sulu, Ohara and Spock in reds versionof Star Trek?
Jarred? Kelly? Deanan? I guess Graeme is Scotty in the engine room.
Maybe Ted would be "Bones"
Warp factor five, Captain!
Lol
Well, its clear that however you cast it, I'll be the logical choice to shoot it.
I mean who else here has directed photography on the Enterprise?![]()
In 2006 we had no idea whatsoever what we were doing. But we were game enough to test ourselves against the best in the industry. Our 4K against the industry's 1080P.
In 2009 we developed a library of knowledge and information. We set in motion the most advanced sensor and ASIC program in the industry of camera companies.
In 2011 we developed a core library so advanced that we delivered the EPIC-X.... the most powerful motion and stills camera to date. 5K at 120fps, recording REDCODE RAW to SSD. A nuclear warhead in a matchbox.
In 2012 we step up to warp speed.
Just watch. And enjoy the ride...
Jim
You guys are total geeks. So am I. I love it.
I may as well point out that today (9/8) is the 45th anniversary of Star Trek.
And... I'm on shaky ground here, but wasn't RED Studios once Desilu, long ago? Wasn't the original Trek shot at Desilu?
Mike
Is the ASIC the thing that will give RED cameras their edge for the foreseeable future?...
In 2009 we developed a library of knowledge and information. We set in motion the most advanced sensor and ASIC program in the industry of camera companies.
...
Jim
The original Star Trek was shot at Paramount, which was also home to Desilu for a number of years prior to their buying the Cahenga lot. Desilu was a pretty active production entity and had shows on other lots throughout their existence, as do many production companies and even large studios. As a current example, the show "House" is a Universal show, but it's shot on the Fox lot in West L.A., and CBS/Radford in Studio City has been used for countless sitcoms over the last 20 years regardless of studio affiliation.
Is the ASIC the thing that will give RED cameras their edge for the foreseeable future?