Gunleik Groven
REDuser Sponsor
Ouch. Sorry for the rant, but I can sum it up as:
Technical perfection is only true relative to the particular production.
If 4k 3d 48fps and a lot of CG is the right move for The Hobbit, it doesn't exclude DV for The Idiots or film for Old Boys, or models and optical effects for 2001 and Star Wars, or a gazillion dolls for Ran, or low rez B&W for Goldfever or 16mm for the French wave, or 16mm in Bourne, or wild sets for The Wall and Clockwork Orange, or ruggedness of Blue Velvet or...
Technology was chosen to tell stories, and the storiytelling are closely intertwained with tecnological choices in the movies I have truly loved.
New technology does not and never will diminnish past successes, it will only open for new.
Kinda...
Technical perfection is only true relative to the particular production.
If 4k 3d 48fps and a lot of CG is the right move for The Hobbit, it doesn't exclude DV for The Idiots or film for Old Boys, or models and optical effects for 2001 and Star Wars, or a gazillion dolls for Ran, or low rez B&W for Goldfever or 16mm for the French wave, or 16mm in Bourne, or wild sets for The Wall and Clockwork Orange, or ruggedness of Blue Velvet or...
Technology was chosen to tell stories, and the storiytelling are closely intertwained with tecnological choices in the movies I have truly loved.
New technology does not and never will diminnish past successes, it will only open for new.
Kinda...