Michael P. Schmidt
Well-known member
- Joined
- Mar 20, 2009
- Messages
- 115
- Reaction score
- 0
- Points
- 0
- Age
- 45
- Location
- germany
- Website
- uniquedesigners.wordpress.com
i will never forget to tune in ... 
yeah, i noticed the unique look (blow-outs can look realy good
what i've seen so far ... i think all dept. have done an wonderful job
... especially in the circumstances (RED, new workarround(s), new post ... )
btw: we have to stop this discussion whether 35 mm or RED is the better way !
and i have to say i love film ... but thats an aesthetic issue.
sometimes it's an old 16mm or an MiniDV ... you name it
for this show the RED is the right decision ...
and to make a point:
why would someone shoot in IMAX-Format (more precisely some sequences)... have you seen "The Dark Knight" ? (here we go
is tape better then P2 or SxS or CF or ... ? (and boy was i double-minded at first ...but it went well ... )
i know, the RED workflow is not set yet ... but i think the frist years of film wasn't that clear too !?
sometimes you have to invest (time, money, patience) to become something new worked out.
yeah, i noticed the unique look (blow-outs can look realy good
what i've seen so far ... i think all dept. have done an wonderful job
... especially in the circumstances (RED, new workarround(s), new post ... )
btw: we have to stop this discussion whether 35 mm or RED is the better way !
and i have to say i love film ... but thats an aesthetic issue.
sometimes it's an old 16mm or an MiniDV ... you name it
for this show the RED is the right decision ...
and to make a point:
why would someone shoot in IMAX-Format (more precisely some sequences)... have you seen "The Dark Knight" ? (here we go
is tape better then P2 or SxS or CF or ... ? (and boy was i double-minded at first ...but it went well ... )
i know, the RED workflow is not set yet ... but i think the frist years of film wasn't that clear too !?
sometimes you have to invest (time, money, patience) to become something new worked out.