Marc Wielage
Well-known member
BTW, for those who are following along on this 6-year-old thread, I would strongly urge any filmmakers who care about credits to consider using Endcrawal for their credits. It's a reasonably-priced ($495) service where you enter and place all the title information in what's basically a Google spreadsheet, then their cloud software renders the files in 4K or 2K or HD or whatever you want. Endcrawl figures out various algorithms in order to avoid judder, smearing, aliasing, and other problems caused by combinations of certain typefaces and certain vertical motion speeds.
This is a really, really high-quality application that I've recommended to many of my indie clients. Endcrawl was used not too long ago on the Oscar-winning film Moonlight, so believe me when I say that Endcrawl is very effective. They also provide hundreds of available logos (including Red and Alexa) for services and technical processes at the very end of the crawl. I did a feature about 18 months ago where their Premiere/After Effects titles were awful, so I redid them as a courtesy in Endcrawl. The QC company commented, "the movie looks cheesy, but those credits look like they're from a multi-million-dollar film," which I consider a compliment.
More info:
https://endcrawl.com/
This is a really, really high-quality application that I've recommended to many of my indie clients. Endcrawl was used not too long ago on the Oscar-winning film Moonlight, so believe me when I say that Endcrawl is very effective. They also provide hundreds of available logos (including Red and Alexa) for services and technical processes at the very end of the crawl. I did a feature about 18 months ago where their Premiere/After Effects titles were awful, so I redid them as a courtesy in Endcrawl. The QC company commented, "the movie looks cheesy, but those credits look like they're from a multi-million-dollar film," which I consider a compliment.
More info:
https://endcrawl.com/