paulherrin
Well-known member
As a skater myself I was impressed with the one take and of course the smoothness of the shot.
Someone said "holy sh*t!!" earlier. Being Canadian Im accustomed to "holy crap!!"
Is there production notes anywhere on this shoot?
Dying to know the lighting in this one![]()
jarred kindly commented on this.
Yup.. heh heh that poor truck just keeps taking a beating and keeps on ticking..
Anyways as for lighting... It was much more complicated than i originally planned... seems to always happen to me for some reason. I started with space lights scattered along at about 15 foot intervals directly above the runway.. you can see one of them in the shot and the others not visible are just off of top of camera.
i ended up putting one 5k on far left and one 5k on the far right.. both of them very close to being inline of Matt but pushed a little further away from camera oas not to ever reveal him completely unless he was under one of the space lights.. Put a half scrim on the left side where the whole thing begins as to cut down the amount of light since he was so close to it at the start..
Had a row of zip lights to light the foreground as needed... i actually ended up running them almost the entire length of track as I like what they did with the heavy smoke.
other than that.. just a few random par cans or 1k fresnels to light up various bits.
The lens is not full wide here.. I still had some room. Shot at 1/250th of a shutter, 120fps. I intended on 3 planes of focus.. foreground, skater runway then background ( cop car ) Nate had the Preston and would rack along my ride to make sure 2 of the 3 where in focus at all times at the right time.
Movietech Arco dolly with a Oconnor head... nothing else other than the preston hooked up to the camera, no monitors etc. Would do a take, grab the card and run over to Dan sitting in front of his mac in a corner of the stage to watch playback. Pretty easy stuff![]()