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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

Saving Looks to Camera Video Tutorial

Very nice! Thanks
 
Mini-REDucations! Great! Will this and future tutorials be accessible as a menu of tutorials in one location at some time in the future? It would be nice to have them together so we won't need to search around for them?

Thanks!
 
Attending a weekend lighting seminar at the Local 600 in Secaucus, NJ open to the public. Got some good tips from some awesome panelists on how to go about defining a workflow for the acquisition/editorial path I have in mind. Videos like this are IMMENSELY helpful in breaking through the learning curve! Thank you! I look forward to some detailed videos on monitoring paths and options.
 
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BTW, we were just doing some tests yesterday, with a World Famous Stylist and I had to run the Red Mag ion to the Laptop to get a look made on RCX-Pro so to show her what is the power of Raw and how we could get the image to the point needed.

Now if the lighting is to remain the same during and entire scene then I believe that this is a VERY IMPORTANT tool and that will immediately benefit on set in situations as this, so that the client immediately sees the image with a certain look on it, giving a better presentation on the images themselves.

I however would suggest to insure that a look is created on the spot at the very beginning of a scene, say during rehearsal, so that when all else is there the look is applied and the Director, if stranger to R3D's can ready see an image that is as if finished coming right out of the recording monitor.



Looks IMO, need to be as many as the set ups you do, as they do work, and some time they do not work, under different lighting set ups, good thing is, that this is so EASY!!


BEAUTIFUL!!
 
Peter Lyons Collister said:
Travis, you have quite the future as a male model......

:)
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he used to be.... but when Kelly Branded him a few years ago with the RED branding rod that scared him for life :)

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absolutely. it is in the employment agreement.
 
I learn something new from my Epic every time I shoot with it. The possibilities with it (and the RAW workflow) are seemingly endless. Thanks Jarred & Red Team for putting this, and future, videos together. They are extremely helpful. I have a big shoot coming up this Wednesday. Can't wait to try out saving looks to camera on set.
 
Looks cool.

Is there any way to achieve the look transfer without moving the data around on a SSD card? Either Ethernet or Wifi would be much more efficient.
 
I don't have the list in front of me, but you can see what can be imported by the camera by going to the create preset dialog. The items under the "look" tab are the items that are imported from look .RMD files. The names should match those found in Redcine.
 
Trent Lillehaugen said:
I don't have the list in front of me, but you can see what can be imported by the camera by going to the create preset dialog. The items under the "look" tab are the items that are imported from look .RMD files. The names should match those found in Redcine.
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If there's not an option for it on the camera, it's not imported, from what I've found.
 
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