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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

REDray Player...

will redcine x be able to convert non red footage to the streaming codec?
thinking of VFX shots integrated into movies ( and B-cams)
then it can be the standard in distribution for everything!
 
Amazing. All my bragging about 4k display at 120 fps finally come to an end. Finally a company that also cares for sharp motion too. Finally gone are the days that we hide detail with motionblur. Cant tell you how releave I am. It's a scientific topic. Even though Im just a young guy I will do everything in my power to promote projection that come close to the specifications of the human eye. This will be a game changer though it will last a while before logistics catch up! You cant imagine how happy I feel about this.
 
Can the REDray be used as a computer replacement to the REDrocket card?

No need to pair, the REDray Projector includes a REDray Player.

The REDray Player is for all the other types of emerging 4K displays and for existing 1080p displays.

It's also an excellent choice for digital signage as it can drive up to four 1080p displays in perfect sync.
 
All these updates, I am in ridiculous land right now. Wish I was there to say hello and see the 4k. Was there a screening of some Hobbit footage yet?

Yes of course 4K what else... ;)
 
will redcine x be able to convert non red footage to the streaming codec?
thinking of VFX shots integrated into movies ( and B-cams) then it can be the standard in distribution for everything!

We believe in offering our customers choices - although RED will always be the best choice.

So yes, you will be able to input either .R3D or 4K DPX file footage into the REDray encoder.
 
This and the projector is gonna "futurize" our home entertainment system and I can't wait to let it happen!! ;-) What a day this is turning out to be here, and what a week it must be in Vegas for those of you that are attending NAB.
Have a nice one guys :-)

we didn't make it this year and it hurts a bit now...
 
We believe in offering our customers choices - although RED will always be the best choice.

So yes, you will be able to input either .R3D or 4K DPX file footage into the REDray encoder.

Redray encoder? is it a hardware encoder or purely software based? Or do you mean the redray player can play DPX directly?
 
We believe in offering our customers choices - although RED will always be the best choice.

So yes, you will be able to input either .R3D or 4K DPX file footage into the REDray encoder.

This might be beyond what you are allowed to answer Stuart - but is the REDray Encoder an open format or does it require licensing of some sort? As far as I can tell, RedRay seems be the most promising codec for end delivery of 4k content currently. The possibility that it could be open for decoding and encoding outside of Red software excites me to no end. Is it possible that one day I will be able to export from Premiere to the RedRay codec?
 
Stuart, at NAB last year you were showing two Rays - a 'Pro' which was to ship real soon, and a 'prosumer' unit for further down the road.

Are these now rolled into one? Or is the prosumer Ray dropped as part of the 'stick to the high-end pro only' strategy?

Mike
 
All these updates, I am in ridiculous land right now. Wish I was there to say hello and see the 4k. Was there a screening of some Hobbit footage yet?

No footage of the Hobbits just the Title used on a keynote presentation by Michael Cioni, a very Bd A^%$ presentation that is... ;)
 
Any more technical info about the REDPASS DRM and how that will work? I mean for your own content and so. Will there be a standalone application for encoding and DRM'ing your stuffs?
 
No need to pair, the REDray Projector includes a REDray Player.


Oh, wow. <speechless>

This is an incredible deal when you consider the target price for the projector is around $10K. Considering until recently theaters were paying $50K-$100K for glorified 1080p projectors, the value offered by new Redray projector defies belief.

Even the most miserly / pessimistic theater owner(s) have no excuse not to upgrade to 4K.. 4K is happening, only question is whether Red can produce thousands of projectors per year or not.
 
Will anything beyond a cuts-only edit of R3D format content need to conform to DPX for output through REDray?

How is the workflow envisioned (at the simplest level) if I shoot an R3D and want to dissolve to another shot, crop or reframe? Will there be a point where we can use the R3D format in a bi-directional mode, writing R3D compressed data, or will DPX (or similar) always take over when creation of new frames is required? Interested on the impact with regard to editing choices and desktop level workflow.
 
Will anything beyond a cuts-only edit of R3D format content need to conform to DPX for output through REDray?

How is the workflow envisioned (at the simplest level) if I shoot an R3D and want to dissolve to another shot, crop or reframe? Will there be a point where we can use the R3D format in a bi-directional mode, writing R3D compressed data, or will DPX (or similar) always take over when creation of new frames is required? Interested on the impact with regard to editing choices and desktop level workflow.

As I understand it, there is a separate RGB RedCode they've developed that is low bit rate (~15Mbit/sec?). That's what you'll want to do a final encode to and ship over the Internet (with or without their DRM).
 
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