Welcome to our community

Be a part of something great, join today!

Log in
  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

RED ONE GLIDETIME

Jarred Land

Jarred Land

Fire Chief
Staff member
Joined
Dec 27, 2006
Messages
10,644
Reaction score
33
Points
10
Badass little moment Thomas Scott Stanton did for National Geographic on his RED ONE MX " Brooklyn " .. worth watching.

Shot at 48fps with the RED 18-50 @ 18mm


 
Wow! Nice! I'd love to see a BTS of this.
 
cool stuff in there. footage looks great! not too shabby vfx for ng television...
 
Pretty amazingly well done. good tracking, good compositing, good camera work too, I really like the shakiness of the real camera, it prob made the 3d camera tracking a lot more difficult but gave a realist feel to it. The amazing things you can do by combining great talent with a great camera. Congratulations RED for the camera and the people who worked on this piece for achieving an awesome piece.
 
does a "making off" exist ?
 
Question

Question

Was the background or environment plate shot with the RED MX? I assume the people were shot individually with a multiple stills camera array and then composited in along with blood, muzzle flashes and bullets? Or is there another way?
 
OMG! Outstanding!! Well done!!
 
Would love to see how he did this. Very impressive.
 
Jarred, when do you sleep? Or maybe you're one of those unusual types that gets by on 2 hours.

Thanks for the post.

John
 
If you shoot the matchmove plate with everyone standing still, and have certain elements done by wire, you can put all the splatter, flashes, debris in with 3d compositing, and composite with AE or Nuke, etc.
http://youtu.be/N5rf-kVUiE8 - Another time freeze scene.
http://youtu.be/0_7VGMFnC5Q - Before and After SHots
 
you guys remember the short film, "Carousel" released by phillips a couple years back? The one with the clowns and the bank heist.

Here's a link to the video, and, even though there is a "making of," it wasn't as informative as the description on the vimeo page for it, so, check out the description after watching the video.

http://www.vimeo.com/13680663

Of course, they did have a full system for fluid, calculated camera movement that could do both the plate and action shots with the exact same movement
 
There was a discussion not too long ago (on DVXUser) about whether 48fps would work. I think this little clip answers that question.
 
You must log in or register to reply here.
Back
Top