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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

NEO Super Baltars

Just an IMDb link to the Tech. Info on the "The Godfather" Part 1, showing again that the Super Baltars were used.

https://www.imdb.com/title/tt0068646/technical



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Promo: Spellemannprisen 2014 (no music)




By Ole Andreas Grøntvedt


Promo for the "Spellemann" Award (the Norwegian equivalent to Grammy).
DUE TO COPYRIGHT ISSUES, THE MUSIC HAS UNFORTUNATELY BEEN REMOVED.

Director: Pål Gustav Widerberg
DOP: Ole Andreas Grøntvedt. fnf
Gaffer: Thor Erik Grønkvist-Olsen
Colorist: Lars Peder Sørli

Shot on Arri Alexa with Bausch & Lomb Super Baltar lenses.


(We shot the hosts, not the music videos)
 
Grilstad Racecar



By Olga




DOP Gaute Gunnari. Shot on Super Baltars, Alexa 444 Pro Res.

Directed by Andreas Riiser.

The Super Baltars where used by Gordon Willis on the Godfather I and II, Mr Willis also used some Kowa Cine Prominar Lenses on the Godfather II. I have a set of Super Baltars, 25,35,50,75,100 and are still looking for a nice 20mm. I was offered a 20 mm where the seller claimed that the actual lens was used on the Godfather. Taking no chances I contacted Hardwick Johnson and George Harris, the same guys that on March 22, 1971 loaded Mr Willis and cameraoperator Michael Chapman's camera truck. They still work at the rental house Arri CSC 40 years later. The response was as expected, they had no record of serial numbers dating back that far, because they did not know that the Godfather would make cinematography history.
But they wished me good luck on renting out the lenses on a feature planned to be shot on the Super Baltars or the Lomo Anamorphic by DP Gaute Gunnari fall or summer 2012.
 
Gordon Willis - Craft Truck - Through the Lens - S01EP9

Just an interview with Gordan Willis about his views on cinematography, not really about the Super Baltars. I promise the next post will be back on subject.



By crafttruck


Gordon Willis is regarded by all of his peers as one of the greatest cinematographers in the history of film, and for many as the greatest of all time, period. Between lensing The Godfather trilogy, many of Woody Allen's best films (including Annie Hall, Manhattan, Stardust Memories, Interiors, and others) and several master thrillers for Alan J. Pakula (All the President's Men, Klute, The Parallax View, The Devil's own, and others), Gordon Willis practically single-handedly re-invented the craft of cinematography and the nature by which films were and are composed, lit, and executed. He has left an indelible mark on the craft of filmmaking and we are delighted to present him in a two part interview here. We hope you enjoy a small window into a great man's achievements and approach.
 
QUEEN’S PLATE 2018 x EVER NEW MELBOURNE




By Swishpan Films Inc.

https://vimeo.com/304168062

Video has to be watched on Vimeo


Woodbine Queen's Plate 2018 Style Guide featuring Ever New Melbourne fashion collection

Creative Dawn Kay
Director Rachael Ancheril
Producer Chris Luckhardt
Color by RedLab Digital

Camera by Dazmo
Alexa + Super Baltars8
 
Megan Washington - Begin Again


By soupkitchen



I can't say enough wonderful things about Megan Washington.

Alice Topp is responsible for the beautiful choreography and I can't wait to work with her again.

Shot on a RED Dragon, Blackmagic Pocket Cinema Camera and Blackmagic Cinema Camera with Super Baltar lenses. The Red sat on a Movi all day. Cut in FCPX, graded in Resolve and mastered in NukeStudio.
 
KROGER “VALENTINE’S” TV Spot



By Jeff Barklage




Valentines TV spot I DP'd, and Jim Walter directed.
Fun images and some nice table-top/food photography.
Shot outside Portland, Oregon during a heavy & dark rain...we really tried to make the windows and skies look "happy" and not sad :-)
Lens flares help mask the depressed weather...
We utilized vintage Super Baltar primes and tiny Leica zooms for the optics, lots of medium speed over-cranking to romance the images/motion...the first-up shot of the falling heart candies was shot at 250fps.
Shot on Red Epic Dragon.
 
BellaWood (director’s cut)



By Ruben Latre




Client: Bellawood
Agency: Big River Advertising
Production Company: Trademarky Films
Executive Producer. .Mark Meyers
Executive Producer Hostage Films. .Melissa Beth
Director - DP. .Ruben Latre
Shot in Richmond, Virginia
September 2014

Technical notes..

cameras. .red epic dragon sensor - Phantom Miro - Blackmagic pocket camera
lenses. Bausch and Lomb Super Baltar Lenses - Panasonic Lumix G Vario 7-14mm f/4.0
 
"Good List" - MADELIN [Official Video]




by Madelin








Info on camera and lens used can be found at the link below

https://vimeo.com/240331618

Madelin-Good List (Alexa Mini|Super Baltar)




"Good List" - MADELIN [Official Video]



CONNECT
Website: http://madelinmusic.com/
Facebook: https://www.facebook.com/madeline.mon...
Twitter: https://twitter.com/madelinmusic
Instagram: https://instagram.com/is_madelin

Song Produced by Breakfast N Vegas

Song Written by Madelin

Director
Matt Speno

Producers
Madelin, Matt Speno, Raven Blue

Director of Photography
Jovon Outlaw

Assistant Camera
Chloe Locarro

Grip
Dylan Kaplowitz

Production Designer
Meg Welch

Wardrobe
Emma Goldstein, Madelin

Cast
Lauren Berthelot
Raven Blue
Skylar Cocco
Evelyn Chen
Andrew Cowie
Joshua Dunn
Quaba Ernest
Esteban Gaspar Silva
Gwyn Mackenzie
Susie McHugh
Ryan Pliss
Jhevere Reynolds
Tyler Schnese
Will Speno
Natalie Stevie
Liz Torres
Angelina Torreano
Victoria Vega
 
Rush - Trailer 3







By Rush






IMDb says it used Cooke S2, Zeiss Master Prime and Bausch & Lomb Super Baltar Lenses. Some Sites just say Super Baltars



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RUSH portrays the exhilarating true story of two of the greatest rivals the world has ever witnessed—handsome English playboy James Hunt (Chris Hemsworth) and his methodical, brilliant opponent, Niki Lauda (Daniel Brühl). Set against the sexy and glamorous golden age of Formula 1 racing, Rush follows the two drivers as they push themselves to the breaking point of physical and psychological endurance, where there is no shortcut to victory and no margin for error.

Two-time Academy Award® winner Ron Howard (A Beautiful Mind, Frost/Nixon), teams once again with fellow two-time Academy Award® nominee, writer Peter Morgan (Frost/Nixon, The Queen), on Rush, a spectacular big-screen re-creation of the merciless 1970s rivalry between James Hunt and Niki Lauda.

Also starring Olivia Wilde (TRON: Legacy) and Alexandra Maria Lara (The Reader), Rush is produced by Andrew Eaton (A Mighty Heart), Howard, Academy Award® winner Brian Grazer (Apollo 13, A Beautiful Mind), Eric Fellner (Senna, Tinker Tailor Soldier Spy), Morgan and Brian Oliver (Black Swan) and executive produced by Cross Creek Pictures, Exclusive Media, Todd Hallowell and Tim Bevan. Universal Pictures will distribute the film in North America.

Rush was shot on location in the U.K., Germany and Austria.
 
Qatar Airways FC Barcelona




By Diego Suárez



Info on camera and lens can be seen at the link below

https://oriolmurcia.com/foquista-focus-puller/



CAMERA & LENSES: ALEXA PLUS + BAUSCH & LOMB SUPER BALTARS + COOKE ZOOM VAROTAL 20-100mm



Prod Co.: Somesuch / Twentyfour-seven
Director: Nick Gordon
Dop: Julian Hohndorf
1st AC (A Cam.): Diego Suárez
 

There You Are (short film)


By Sparkle Motion Films


Info and lenses used can be found at the link below

https://insta-stalker.com/post/BvxN7HMgqpj/

Alexa Mini / Super Baltars / Ultra con



A trans woman must dress like a boy to say goodbye to her dying grandmother in Texas.
Directed & Produced by Lisa Donato
Written by Jen Richards
Cinematography by Ava Benjamin Shorr
Edited by Nevie Owens
Score by Allyson Newman
Executive Producers: Lisa Donato, Heather Nevill, Jen Richards
Associate Producers: Mickel Picco, Alexandra K. Dietz, Shanti Rose Smith
 
‘KendallXPenshoppe’



By Mark Lammerding



Info and lenses used can be found at the link below

https://insta-stalker.com/post/BtgzbdfgXju/


Shot on Alexa Mini w/ B&L Super Baltars. Camera package

Fashion film for Penshoppe (penshoppe.com)
Starring Kendall Jenner.
Directed by Mark Lammerding.
Produced by Betania Barbosa with BOATHOUSE ROW PRODUCITONS, INC.
Cinematography, Editing & Post-Production by Mark Lammerding.

Special Thanks to Kira Carstensen at Pulse Films.
 
Here Alone Trailer #1 (2017) Zombie Horror Movie HD




By Zero Media




Info and lenses used can be found at the link below

https://insta-stalker.com/post/Bhtn8nXnHOx/


Arri Amira/ Super Baltar


Title: Here Alone
Release Date: March 31, 2017
Cast: Lucy Walters, Shane West, Gina Piersanti, Adam David Thompson
 
Nervous Cabaret “Flame Girl”



By Shlomo Godder

https://vimeo.com/154778068

VIDEO HAS TO BE SEEN ON VIMEO DUE TO PRIVACY SETTINGS

Info and lenses used can be found at the link below

https://insta-stalker.com/post/Bfl9RJRlwvm/

Super Baltars


Music
Written by Elyas Khan and Sarah Provost
Performed by Nervous Cabaret

Starring: Heather Holliday
Director: Shlomo Godder
Production Companies: RAISED BY WOLVES (Richard Kim), Yacht Club Films (Joseph DePasquale, Matt Morgan, Jake Ladehoff, Zach Law)
Producer: Richard Kim
DP: Shlomo Godder
Colorist: Stuart Wheeler
 
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