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  • Hey all, just changed over the backend after 15 years I figured time to give it a bit of an update, its probably gonna be a bit weird for most of you and i am sure there is a few bugs to work out but it should kinda work the same as before... hopefully :)

MEET FELIX....

Wow. So much going on right now it's crazy. Just spend two days at the brilliant 3D storytelling conference at Ravensbourne in London with lots of great speakers and exhibitors, Jody Neckles talking about 3D playback with Qtake AJA and Teradek, Dado Valentic from MyTherapy sharing his insights from working at the forefront of Post of digital cinema and 3D developing new tools and generally pioneering away, Tim keene from Framestore talking about their work on Avatar, Matt Bristowe from Prime Focus talking about their 2D to 3D conversion work, all sorts of talks from producers, directors and stereographers leading us through their projects and how they used 3D. Rigs aplenty to play with, so many other talks to go covering everything from 3D previz to delivery, I couldn't make it to them all. Stands with the guys from Arri digital, Codex, Qtake, AJA, JVC, Mistika, Assimilate Scratch and many more. (You guys from RED should have been there with an EPIC atom rig!) Hopefully you will make it to the next conference they have planned at Ravensbourne on the future of digital film. The Foundry will be there with Storm, Jody Neckles will be there again covering workflows including RED, hopefully one of us from Brownian Motion, possibly Jeff will be representing and if this last conference was anything to go by there will be a lot of industry movers and shakers there from across the board of production - top DP's, Producers, Directors, technicians, post people etc.

Anyway after all that excitement and brain food I wake up the next morning to discover this!

chickenv2.0000025.jpg



So excited for the Scarlet as a 3D package. Impressed with the footage as expected. Any chance we will be able to buy optically matched pairs of the fixed lens cams?
 
Thank you for the footage.

I'm trying to get this into apple color using log and transfer through FCP (so i can eventually have the red controls in color). I followed the FCP white paper but can't seem to get the file structure correct. I made a RMD file and inside of that a RDC file and have the R3D and RMD Jarred gave us but FCP keeps telling me the structure is wrong. can anyone give me a quick layout? thanks!
 
Jarred Land said:
Here is a good one for you guys.. lots of motion. Shot Scarlet 8X @ 3K @24fps 1/48th shutter ISO 800.

http://red.cachefly.net/Chicken.zip

You guys are going to need to use the EPIC build of RCX to open this up.. Rocket support wont work and RCX is going to think its just 3K EPIC files so the color science isn't fine tuned in yet.. but it should give you plenty to play around with :)

http://red.cachefly.net/redcinex/eval/REDCINE-X_build_356_mac64.zip
http://red.cachefly.net/redcinex/eval/REDCINE-X_build_356_win64.zip
Click to expand...


I can't seem to open this up. RCX b356 doesnt recognize the r3d (I work with RED clips all the time).

The download of the file is really rapid though...to rapid...leading me to believe a corrupted clip or server issue.
 
Jason Madeja said:
Thank you for the footage.

I'm trying to get this into apple color using log and transfer through FCP (so i can eventually have the red controls in color). I followed the FCP white paper but can't seem to get the file structure correct. I made a RMD file and inside of that a RDC file and have the R3D and RMD Jarred gave us but FCP keeps telling me the structure is wrong. can anyone give me a quick layout? thanks!
Click to expand...

I THINK Jim mentioned a few posts back that 3rd parties are currently not updated to work with Scarlet footage.

Here's the quote, although I'm not sure if I'm using it in the wrong context...

Jannard said:
Jarred has given you pre-release software. Scarlet footage would not be supported yet by 3rd parties.

Jim
Click to expand...
 
Jason Madeja said:
Thank you for the footage.

I'm trying to get this into apple color using log and transfer through FCP (so i can eventually have the red controls in color). I followed the FCP white paper but can't seem to get the file structure correct. I made a RMD file and inside of that a RDC file and have the R3D and RMD Jarred gave us but FCP keeps telling me the structure is wrong. can anyone give me a quick layout? thanks!
Click to expand...

You need to use the "Epic" Redcine-X supplied earlier in this thread.

You could export a log 10-bit 444 rgb, if you insist on grading in Color...
 
How about "lion in the night"?

LION-NIGHT.0000025.jpg
 
Last edited:
Gunleik Groven said:
You need to use the "Epic" Redcine-X supplied earlier in this thread.

You could export a log 10-bit 444 rgb, if you insist on grading in Color...
Click to expand...


RCX works great, no problem there. I just wanted to see how the log and transfer workflow would run. no biggie.
 
Jason Madeja said:
Thank you for the footage.

I'm trying to get this into apple color using log and transfer through FCP (so i can eventually have the red controls in color). I followed the FCP white paper but can't seem to get the file structure correct. I made a RMD file and inside of that a RDC file and have the R3D and RMD Jarred gave us but FCP keeps telling me the structure is wrong. can anyone give me a quick layout? thanks!
Click to expand...

Epic footage is not yet supported by FCP log and transfer. You can only use the beta build of RCX.

When it's supported, you will find the workflow exactly the same as current RED footage, I would imagine....
 
Thanks for the r3d...it looks amazing. It has a very 16mm look to it. I like it alot. I installed RCX for the first time this morning and it worked like a charm.
Can't wait to get my hands on the camera!

When shooting different resolutions on the Scarlet....3K, 2K, etc., does the field of view change (I think I'm saying that right...I'm new to this). In other words, to get the equivalent of a 28mm, do you have to shoot in 3K? Is the image cropped/windowed further in 2k? I believe that's the way it works on the R1, but I could be mistaken. Can someone clarify?

Again, the footage is stunning.

Thanks!
 
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