Mike Finegan
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OK once again I see conflicting information even from RED support (posting here).
I was told by RED tech support that only with GigE between identical DSCM2 cameras - you could get frame level sync between master and slave suitable for top production 3D stereo rig.
But then I see statement from RED support in this forum that no it just duplicates settings. Which RED support statement is correct?
Also I see Mika statement that you can do without GigE - using even wireless - but I do not see frame sync statement anywhere (which is not same as using deneke to gen lock cameras).
Any production 3D stereographers using DSMC2 and care to weigh in?
I was told by RED tech support that only with GigE between identical DSCM2 cameras - you could get frame level sync between master and slave suitable for top production 3D stereo rig.
But then I see statement from RED support in this forum that no it just duplicates settings. Which RED support statement is correct?
Also I see Mika statement that you can do without GigE - using even wireless - but I do not see frame sync statement anywhere (which is not same as using deneke to gen lock cameras).
Any production 3D stereographers using DSMC2 and care to weigh in?